Throughout much of the 20th century, Benny Carter was an accomplished composer, arranger, leader, sideman, and multi-instrumentalist. In 2004 the U.K.'s Proper label served his memory well with Proper Box 68 which carefully examines a 22-year segment from his unusually lengthy career. If a reasonably priced 88-track, four-CD set of swing and early modern mainstream jazz dating from 1930-1952 seems like too much of a good thing, maybe you really need to hear more jazz and not less, for here in the land of its birth we still have a lot of catching up to do in order to better comprehend this important part of our cultural heritage…
Luxury Blue Note collection on 10 CDs as selected by 2Sounds, spanning the history of the great Blue Note label. Packaging: Clamshell box, 10 CD, 12p booklet. I new this would be good,but I am so glad I stepped up and purchased this collection. My wife and I play through the list of CD's daily. Yes,the standards are there,but it's the players we are unfamiliar with that make this a great buy!
To say that Benny Carter had a remarkable and productive career would be an extreme understatement. As an altoist, arranger, composer, bandleader, and occasional trumpeter, Carter was at the top of his field since at least 1928, and in the late '90s, Carter was as strong an altoist at the age of 90 as he was in 1936 (when he was merely 28). His gradually evolving style did not change much through the decades, but neither did it become at all stale or predictable except in its excellence. Benny Carter was a major figure in every decade of the 20th century since the 1920s, and his consistency and longevity were unprecedented…
Dividing his time between the United States and France, Laurent de Wilde has found a welcoming audience in both countries. His third solo album, Open Changes, resulted in de Wilde receiving a Django Reinhardt Award for Best French Musician of 1992. In addition to leading his own group, de Wilde has worked as a session player for Reggie Workman, Ralph Moore, Greg Osby, Joshua Redman, Dee Dee Bridgewater, Aldo Romano, André Ceccarelli, Harold Land, and Tom Harrell. In 1987, he recorded the first of a series of four albums for Ida Records “Off The Boat“ with Eddie Henderson, Ralph Moore, empowered by Ira Coleman on bass and Billy Hart on drums. In 1989, “Odd And Blue” is released with Coleman and Jack DeJohnette (drums) followed in 1990 by “Colors of Manhattan”, with Coleman, Henderson and Lewis Nash…
This album was recorded last summer when Waldron and his friends were invited to celebrate his birthday at Jazz Middelheim in Antwerp, Belgium, the bi-annual festival of Brtn Public Radio. His regular US bassist Reggie Workman and drummer Andrew Cyrille came over from New York. Jeanne Lee was only a short trainride away, in The Hague, Holland, where she teaches. Joe Henderson was flown in from San Francisco. Abbey Lincoln, who had performed with her own band the night before, stayed over to make an impromptu appearance.
Benny Goodman took some stylistic chances during his 11-year tenure with Capitol. He listened closely to, then flirted with, bebop during this time, not altering his own swing-based playing but inserting it into a bop framework. He also played traditional swing in various small groups. The sessions covered on this most recent Mosaic four-disc (six-album) set were originally issued on a number of 10" and 12" albums, as well as the CDs BG in Hi Fi and The Benny Goodman Story, a Japanese issue.
Garnished with a fistful of alternate takes, the 2007 release of Mosaic's 107-track Complete Lionel Hampton Victor Sessions 1937-1941 is a welcome and long overdue CD realization of The Complete Lionel Hampton 1937-1941, a six-LP box set released during the 1970s by the Bluebird label. Only Teddy Wilson came close to achieving what Hamp did in the late 1930s and early '40s, by bringing together the greatest soloists on the scene for a staggeringly productive and inspired series of recordings that essentially defined the state of jazz during the years immediately preceding the Second World War.