Moby Everything Was Beautiful And Nothing Hurt
Moby - Everything Was Beautiful And Nothing Hurt (2018) Music
Posted by delpotro at March 1, 2018
Moby - Everything Was Beautiful And Nothing Hurt (2018)
CD FLAC (No Log, Tracks) - 330 Mb | MP3 CBR 320 kbps - 130 Mb | 00:56:36
Trip-Hop | Label: Mute Records, Little Idiot
CD FLAC (No Log, Tracks) - 330 Mb | MP3 CBR 320 kbps - 130 Mb | 00:56:36
Trip-Hop | Label: Mute Records, Little Idiot
Everything Was Beautiful, and Nothing Hurt is the upcoming fifteenth studio album by American electronica musician Moby. It will be released on March 2, 2018 through record labels Little Idiot and Mute. The title of the album is a reference to Billy Pilgrim's epitaph in Kurt Vonnegut's 1969 novel Slaughterhouse-Five.
Moby - Everything Was Beautiful, And Nothing Hurt (2018) Music
Posted by SERTiL at March 2, 2018
Moby - Everything Was Beautiful, And Nothing Hurt (2018)
EAC Rip | FLAC (tracks)+cue, log, front cover | 332 MB
Label: Little Idiot – IDIOT 60CD | Tracks: 12 | Time: 56:31 min
Electronic, Alternative
EAC Rip | FLAC (tracks)+cue, log, front cover | 332 MB
Label: Little Idiot – IDIOT 60CD | Tracks: 12 | Time: 56:31 min
Electronic, Alternative
Moby has released a new single and video for “Like a Motherless Child,” from his forthcoming album Everything Was Beautiful, And Nothing Hurt. Featuring LA-based soulstress Raquel Rodriguez, “Like a Motherless Child” is a re-work of the well-known spiritual, with its origins in the slavery of the American South. The track describes the void left when one feels separated from a parent, higher power or similar guiding force.
Moby - All Visible Objects (2020) Music
Posted by delpotro at June 14, 2020
Moby - All Visible Objects (2020)
EAC Rip | FLAC (tracks+log+.cue) - 482 Mb | MP3 CBR 320 kbps - 200 Mb | Covers included | 01:12:44
Electronic | Label: Little Idiot, Mute Records
EAC Rip | FLAC (tracks+log+.cue) - 482 Mb | MP3 CBR 320 kbps - 200 Mb | Covers included | 01:12:44
Electronic | Label: Little Idiot, Mute Records
Recorded in the legendary EastWest studios, Moby created this album in Studio 3 where Pet Sounds was recorded, using the same board that was used in the making of Ziggy Stardust and the same piano that Sinatra used to record some of his most notable hits. Keeping with Moby’s history of donating to charity (in 2018, he started selling off his records and collection of synthesizers and drum machines, donating the proceeds to charity), he is using this album as a sounding board to bring attention to a long list of charities dedicated to preserving our planet and all its inhabitants.