Even with the advent of LP's, Honegger's music was hard to find on records. The efforts of Charles Munch, and a few recordings which made something of a stir, such as La Danse des Morts, which was graced by the actor Jean-Louis Barrault's inimitable elocution, were more or less one-off successes. Then René Challan and Georges Tzipine came along and made Honegger's major works the centerpiece of their French music anthology, which this series of Rarissimes is gradually restoring to the catalogue. King David, which the composer himself had already recorded, and Joan of Arc at the Stake, championed in a visionary interpretation by Luis de Vocht and his Brussels forces (in a barely veiled protest against the German yoke), were unfortunately nor part of the project. Tzipine wanted to record Nicolas de Flue straight away. This is the last panel (coming after Jeanne au Bücher and the Danse de Morts) of the tryptich of oratorios from the 1940's, and the only one of the three at that time still unrecorded.by Jean-Charles Hoffelé
translated by Hugh Graham
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