Monday Selection

Clarence "Gatemouth" Brown - Gate Walks to Board: 1947-1960 Aladdin & Peacock Sides (2015) {Hoodoo Records 263524}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 185 Mb
Full Artwork @ 300 dpi (jpg) -> 63 Mb | 5% repair rar
© 1947-60, 2015 Hoodoo Records | 263524
Blues / Rhythm & Blues / Electric Blues / Texas Blues

This special collector's edition contains 29 remastered recordings by Clarence “Gatemouth” Brown, consisting of a selection of the magnicent early sides released between 1947 and 1960 on the Peacock and Aladdin record labels. Several of his most famous songs and enduring singles are featured on this quintessential CD, including “Dirty Work at the Crossroads,” “Midnight Hour,” “Just Before Dawn,” and “Okie Dokie Stomp,” among others. It is truly an indispensable set for any blues and R&B devotee.

Released in conjunction in 2002 with the four-disc box set Walking to New Orleans, as well as three other titles in EMI/Capitol's Crescent City Soul series, The Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them becomes the definitive single-disc Fats collection on the market nearly by default – it's remastered, it's the one in print, and it has a flawless selection of songs. It's not markedly better than, say, the '90s' definitive Fats compilation, My Blue Heaven, since it has essentially the same track selection and even if the tapes were restored to their originally running speed, the difference is not enough for most ears to notice, but it's still a great collection of some of the greatest music of its time, and it summarizes Domino's peaks excellently. So, if you don't already have a Fats Domino collection, this surely is the one to get.

Avid Jazz here presents three classic Tubby Hayes albums “The Jazz Couriers - In Concert”, “The Couriers Of Jazz”, “Tubby’s Groove” plus four tracks from “Pub Crawling with Jimmy Deuchar”.
Hailed as “England’s greatest jazz combo”, Ronnie Scott and Tubby Hayes formed the Couriers to bring their message to the world that British jazz was alive and kicking! Joined by Terry Shannon on piano, Phil Bates on bass and Bill Eyden on drums we find them on a double bill with Dave Brubeck live at the Dominion Theatre in early February 1958. Wearing their influences on their sleeves, Brubeck was heard to declare “They sound more like an American band than we do”. Moving ahead to November 1958 and the Couriers had been joined by Jeff Clyne on bass for a recording in London which clearly shows how British jazz was beginning to take it to their American cousins…