Money From July 2015

This is the definitive collection of the Pretenders' recordings issued under the Warners banner from 1979 to 1999 in unique outer slipcase. This 22-disc box set (14 x CD, 8 x DVD) brings together all eight deluxe digipak reissues (six 2 CD + DVD sets and two CD + DVD sets) of Pretenders (1980), Pretenders II (1981), Learning To Crawl (1984), Get Close (1986), Packed! (1990), Last Of The Independents (1994), The Isle Of View (1995), and Viva El Amor! (1999).

This box is the definite overview of Georgie Fame's Columbia recordings, gathering all 46 tracks from Fame's four albums for the UK Columbia recordings, with no less than sixty bonus tracks from non lp singles, non lp EP tracks, album outtakes, BBC sessions, a 1963 demo session and stray live recordings. Several tracks included have previously been issued only on limited Japanese editions of these Fame albums. Georgie Fame is a seminal figure in British popular music who helped to introduce the sounds of rhythm and blues, jazz, soul, ska and other ‘black’ music styles to a UK audience in the 1960s.

Eddie Harris - People Get Funny… (1987) {2015 Japan Timeless Jazz Master Collection Complete Series CDSOL-6377}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 248 Mb | 5% repair rar
© 1987, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6377
Jazz / Soul Jazz / Hard Bop / Jazz Funk

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A later album from reedman Eddie Harris – but a set that still continues some of his best funky styles from the 70s Atlantic Records years! In fact, the record may well be the last that Eddie ever cut in this mode – a real surprise at a time when some of his other sessions were more traditional – and the record's filled with lots of very groovy surprises that include great Fender Rhodes from William Henderson, plus more electric piano from Eddie – who also sings a bit too, in that great raspy tone of his. Rhythms are often pretty great, too – funky, in an offbeat way – thanks to sweet basslines from Larry Gales and drums from Carl Burnett.