There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. The Midnight consists of Tyler Lyle (a songwriter from the Deep South) and Tim McEwan (a producer from Denmark).
5CD compilation entitled: 'Songs From The 100 Best Australian Albums'. It is a companion to a new book written by John O'Donnell, Toby Creswell & Craig Mathieson. As the name suggests, the book counts down the 100 Best Aussie albums of the pop era with detailed exploration of why the albums were chosen. The compilation is a 5CD pack and will include many tracks which rarely clear for compilations including not one, but two Midnight Oil tracks. It also features Easybeats - Friday On My Mind, Daddy Cool - Eagle Rock, The Saints - I'm Stranded, John Farnham - You're The Voice, Crowded House - Better Be Home Soon, Powderfinger - These Days, The Presets - My People, and many more.
'The First Ten Years' is a series of 10 double 12" and 10 CDs by Iron Maiden, released between February 24 and April 28, 1990, to commemorate Iron Maiden's first ten years of releasing singles. In addition to original b-side, each release in the series contains a bonus track, a part in the "Listen With Nicko" series, in which drummer Nicko McBrain talks about the songs on the discs, in his own humorous way.
Universal Music pay tribute to the short but prolific musical life of enigmatic Glasgow blues-rocker Alex Harvey with the biggest-ever, career-spanning, cross-label collection of his work. A total of 217 fully remastered tracks (with much of the material from the original master tapes) includes 21 that are previously unreleased, and a further 59 that are appearing officially on CD for the first time.
In my opinion this is a landmark recording. A somewhat obscure album that should have received more attention in the jazz/rock/fusion category. Featuring the guitar work of Randy Sellgren. Mingo Lewis and Al DiMeola were on pretty much on the same page at this point in time. Al DiMeola had featured Mingo on his "Land of the Midnight Sun" recording from the same year and did so again on his "Elegant Gypsy"(1977)/"Casino"(1978)/"Splendido Hotel"(1980)/"Scenario"(1982)/"Tour De Force"(1982"/"Electric Rendezvous"(1983) recordings. Al DiMeola did a rearrangement of Mingo's "Frankincense" on his "Casino"(Chasin' the Voodoo") lp with Mingo. Anyone who enjoyed DiMeola's work at this time should give Mingo Lewis' "Flight Never Ending" recording a listen. His influence is obvious. In my opinion, once again, all the above is great music from great musicians from a time that has rarely been equaled since.