Monteverdi Vespro

After ‘Stravaganza d’amore’, their superb album of late sixteenth-century Florentine music, Raphaël Pichon and Pygmalion return to Italy, this time to Mantua. Here they offer us their reading of one of the peaks of sacred music from this period: Monteverdi’s Vespers. Revealing like no other interpreters the poignant interiority of these pieces, they bring out to the full their inherent sense of theatre. An overwhelming experience.

Philippe Herreweghe and Collegium Vocale Gent present a highly accomplished version of one of the masterpieces of seventeenth-century sacred music. Composed shortly after L’Orfeo and dedicated to Pope Paul V, Monteverdi’s Vespers constantly surprise us with their audacity and their great emotional power. Stile antico and stile moderno combine here to wonderful effect, with Renaissance-style polyphony, accompanied monody and concertato style coexisting harmoniously.

A much needed filling of a gap in the Brilliant Classics discography: the world famous Maria Vespers of Monteverdi! The Maria Vespers contain a collection of liturgical chants and psalms, for a wide variety of instruments, from the festive opening with trumpets to intimate arias for solo voice. In everything one hears the great dramatic genius of Monteverdi, the “first” opera composer in history. Excellent performance, on historical instruments, by conductor Diego Fasolis, and his “Barocchisti”, and a great line of vocal soloists, among whom are the well known Marco Beasley and Marinella Pennicchi.

This disc constitutes the memoir of the concerti of Vespro della Beata Vergine (Vespers of the Blessed Virgin) of Claudio Monteverdi which took place in Palermo in the church of Santa Maria dello Spasimo from the 15th - 17th July 1999 for the occasion of the musical summer (Estate Musicale) of the Teatro Massimo (Fondazione Teatro Massimo). The concerti were carried out by the Teatro Massimo and the regional arts delegation for the town of Palermo in collaboration with the Association for Ancient Music Antonio Il Verso and the Institute of Music History of the University of Palermo. 'Could we have dreamt such glorious music-making was possible? This version has genuine impact, and goes straight to the top of the list of recommended recordings. Monteverdi, or the Vespers of the Blessed Garrido.' Repertoire '…this luminous vision constitutes one of the finest chapters in the history of modern Monteverdi interpretation.' –Le monde de la musique.

Monteverdi’s “Vespro della Beata Vergine” was published in 1610, together with his “Missa in illo tempore”. This edition is his first important collection of music for the Catholic service, although there is much uncertainty about how it came into being. In fact, it is a collection of various pieces which were most likely not conceived together as a self-contained unit.