Monteverdi: Jordi Savall

Although Lawes died relatively young–43–he achieved a mature compositional stature, evidenced in every one of the "sets" on display here. He's particularly good at taking a melody and subjecting it to all manner of variation and imitative treatment, often developing wonderfully complex textures that somehow always maintain an ingratiating tunefulness. The Pavans are especially touching–notably the five-part C minor, inspired by Dowland's famous Lachrimae. The influence of the madrigalian Monteverdi is noticeable everywhere, in dancing rhythms and vividly expressive effects of bow articulation and colorful, sometimes unexpected harmonies. This is an exceptional collection–in rich, full-bodied, perfectly balanced sound that gives realistic presence to the instruments while allowing plenty of breathing room for strings and wood to properly resonate.

Between 1975 and 1983, Jordi Savall recorded five albums including the most beautiful pieces from each of the five ‘Books of Pieces for the Viol’ composed by Marin Marais between 1686 and 1725. A silence of nearly 250 years came to an end. A repertoire - and even better, an instrument - returned from oblivion.

This is an excellent and varied selection of composers from the very well known like Palestrina, Monteverdi, Bach and Vivaldi, through the less famous but familiar like Frescobaldi, Sainte-Colombe and Zelenka, to the downright obscure. It is all delightful: the musicians are uniformly excellent, and include such great names as Gustav Leonhardt, Cantus Colln, Christopher Hogwood and so on. They give fine performances both of the familiar works and of the less familiar ones. Obviously there will be discs you like more than others and you may already have favourite versions of some works, but these discs are never less than very good and are often outstanding.

Chateau de Versailles Spectacles - Collection Part 1 (2017-2024)
EAC Rip | FLAC (*image+.cue, log) | Run Time: 01:20:40:03 | 13.36 Gb
Genre: Classical | Label: Chateau de Versailles Spectacles

Discover or rediscover the masterpieces and rare gems of the baroque and classical repertoire with the greatest performers : Hervé Niquet (Richard Cœur de Lion by Grétry, The Magic Flute by Mozart, Don Quichotte chez la Duchesse by Boismortier), John Eliot Gardiner (La Symphonie Fantastique by Berlioz), Vincent Dumestre (Phaéton, Cadmus et Hermione et Le Bourgeois gentilhomme by Lully, Egisto by Cavalli), Raphaël Pichon (Vespro della Beata Vergine by Monteverdi), Gaétan Jarry (Les Arts Florissans and David et Jonathas by Charpentier), Valentin Tournet (Les Indes Galantes by Rameau, Magnificat by Bach), Stéphane Fuget (Il Ritorno d’Ulisse in Patria by Monteverdi, Grands Motets by Lully in 3 volumes), Leonardo García Alarcón (La Finta Pazza by Sacrati and The Coronation of Poppaea by Monteverdi), Olivier Latry (Mass for the Convents and Mass for the Parishes by Couperin), Jordi Savall (L’Orfeo by Monteverdi), Christophe Rousset (Psyché and Atys by Lully), Placido Domingo (The Versailles Gala), Mathias Vidal (Rameau triomphant) and Marc Minkowski (Nouvelle Symphonie by Rameau). The label has also recorded the first two French operas composed by women: Cephalus and Procris by Elisabeth Jacquet de La Guerre and Les Génies by Mademoiselle Duval.

This is an excellent and varied selection of composers from the very well known like Palestrina, Monteverdi, Bach and Vivaldi, through the less famous but familiar like Frescobaldi, Sainte-Colombe and Zelenka, to the downright obscure. It is all delightful: the musicians are uniformly excellent, and include such great names as Gustav Leonhardt, Cantus Colln, Christopher Hogwood and so on. They give fine performances both of the familiar works and of the less familiar ones.

The Cleveland, Ohio early music group Apollo's Fire and its director, Jeannette Sorrell, here attempt something unusual on two different fronts, which makes Sephardic Journey recommendable right off the bat. First of all, the music here will be unfamiliar to most listeners who haven't specifically studied the world of Spain's Sephardic Jews and their diaspora.

The works of the theorbist Bellerofonte Castaldi and the guitarist Domenico Pellegrini are little known but nonetheless remain fascinating to their performers today, as they not only give clear proof of fertile musical imagination but also raise many questions about how they should be performed. Although Castaldi was the first to praise the innovative style of his friend Monteverdi, his works are marked by a strong Renaissance spirit. Castaldi and Pellegrini chose not only the most classical forms (dances, courantes, galliards) but also the most archaic (branles, batailles, canzoni). Lutenist, theorbist and baroque guitarist Albane Imbs now presents her first solo album after having founded her own ensemble, Les Kapsber'girls and played in ensembles led by Jordi Savall, François Lazarevitch, Raphaël Pichon and Rolf Lislevand, the great Norwegian lutenist/theorbist who was her teacher. Here, Imbs and Lislevand perform Castaldi’s Capricci a due stromenti, the only example of music written for a duo of theorbo and tiorbino, this latter being a miniature theorbo conceived and played by Castaldi himself.