The Danish String Quartet's Grammy-nominated Prism project, linking Bach fugues, Beethoven quartets and works by later masters, receives its fourth installment. The penultimate volume of the series combines Bach's Fugue in G minor from the Well-Tempered Clavier (in the arrangement by Viennese composer Emanuel Aloys Frster) with Beethoven's String Quartet Op. 132 and Felix Mendelssohn's String Quartet No.2 (composed in 1827). As Paul Griffiths observes in the liner notes, these pieces "sound all the more remarkable for the exquisite brilliance and precision of the Danish players".
Recorded by Radio Bremen, this double-CD document of a high sonic quality contains a slightly shorter than usual version of MEKANÏK DESTRUKTÏẀ KOMMANDÖH, and represents with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK an indispensable supplement to MAGMA's other live albums…
…A stickler for perfection, Szell could at times seem almost absurdly stubborn, but he always aimed only to get the best results. His great expertise regarding instrumental techniques assisted him in this respect…
Hyperion’s Record of the Month for October marks the debut on the label by the Takács Quartet. After seventeen years recording for Decca, including multi-awarding-winning cycles of quartets by Beethoven and Bartók, this thrilling ensemble is now embarking on a new relationship with Hyperion; future projects will include works by Brahms, Janácek and Schumann. Schubert’s famous String Quartet, D810, subtitled ‘Death and the Maiden’, is one of the pillars of the repertoire. This new performance is electrifying, and was recorded following a global concert series, enthusiastically welcomed in the press: ‘The Takács’ reading of the second movement was characterized by unremitting pain and mystery.