The Moody Blues' best album in five years benefited mostly from the presence of the Top Ten single "Your Wildest Dreams," authored by Justin Hayward, which turned their status as survivors from the '60s psychedelic era into a plus, with a great beat to boot; it also debuted with a very entertaining video featuring young British psychedelic rockers the Mood Six playing the young Moody Blues to promote the song on the newly dominant MTV and rival video outlets. Unfortunately, nothing else that Hayward or anyone else turned in for this album was remotely as catchy, and, in fact, much of the rest of the album - apart from the closer, John Lodge's "It May Be a Fire," which recalls his and Hayward's collaboration on the Blue Jays album - shows signs of a group running on empty creatively…
With a career as illustrious as the Moody Blues, it's difficult to group together all their best material on a single disc, but Legend of a Band acts as a brief yet pleasant jaunt through some of their most popular work. While some of their early material is deemed slightly progressive because of lengthy keyboard suites and instrumental runs, it wasn't until the mid- to late '70s that their music began to take a more rock & roll-oriented path. Even though only 12 songs make up this hits collection, they do offer a definitive cross section of their music.
Though this 1988 recording starts out with a song that rightfully stands with their best work, the rest of the album doesn't live up to that high standard. "I Know You're out There Somewhere" (a thematic extension of the 1986 hit "Your Wildest Dreams") is lyrically and musically superior in all aspects; fine textured keyboards from Patrick Moraz are featured in the middle of the song…
Having succeeded in the '80s by drawing on '60s nostalgia with a song ("Your Wildest Dreams") and video, the Moody Blues in the '90s began tailoring entire shows to recapture their '60s glory days – and they succeeded…
For many, the name Fred Neil will be familiar only as that belonging to the songwriter of the modern classic "Everybody's Talkin'," or perhaps "Candyman," "The Dolphins," or "Other Side of This Life," songs that Roy Orbison, Tim Buckley, and the Jefferson Airplane, respectively, recorded. However, Neil's influence extends much farther. John Sebastian, David Crosby, Stephen Stills, and Bob Dylan all claimed him as an influence, since he blended traditional and contemporary folk, blues, rock, gospel, Indian, and pop influences into a distinctive, idiosyncratic style. His music was not only influential, it was quite rich on its own terms and some of the best music of its era.
Fifty years after the three-day concert made rock’n’roll history, a gargantuan, 38-disc set attempts to tell the full story of the event for the very first time. The mythological status of 1969’s Woodstock Music and Arts Festival can sometimes feel overpowering. The festival is the ultimate expression of the 1960s. Moments from the three-day concert have crystallized as symbols of the era, with details like Richie Havens’ acoustic prayer for freedom, Roger Daltrey’s fringed leather vest, or Jimi Hendrix’s “Star Spangled Banner” held up as sacred countercultural relics.