Moon Man

Happy the Man's masterpiece takes their unique style to new levels of achievement, at points reminiscent of a blend between the complexity and occasional medieval embellishments of Gentle Giant and the soothing, melodic beauty of Camel circa The Snow Goose. On each of the album's instrumentals (and on the sole vocal track of the release, Wind Up Doll Day Wind) the band's capacity to evoke an atmosphere and remain accessible and catchy even when presenting their most challenging material constantly impresses.

Happy the Man's masterpiece takes their unique style to new levels of achievement, at points reminiscent of a blend between the complexity and occasional medieval embellishments of Gentle Giant and the soothing, melodic beauty of Camel circa The Snow Goose. On each of the album's instrumentals (and on the sole vocal track of the release, Wind Up Doll Day Wind) the band's capacity to evoke an atmosphere and remain accessible and catchy even when presenting their most challenging material constantly impresses.

Enta da Stage is the debut album of American East Coast hip hop group Black Moon, released on October 19, 1993 through Nervous Records. The album was produced by DJ Evil Dee and Mr. Walt of Da Beatminerz.
The CD issue of Enta Da Stage: The Complete Edition is enclosed in a deluxe hard case box set featuring the original album, Da Beatminerz instrumentals and remixes across 3 CDs, an 18-page booklet with new interviews, extensive liner notes, and unreleased photos from the original Enta Da Stage photo shoot and additional visual ephemera.

A Moon Shaped Pool is the ninth studio album by the English rock band Radiohead, released as a download and on paid streaming services on 8 May 2016. CD and LP releases followed in June 2016 through XL Recordings. Radiohead also sold a special edition from their website, containing two extra tracks and additional artwork.

One of the most talented female performers in modern jazz, the versatile pianist Rachel Z has happy ants in her pants, doing everything in her career from bebop to pure jazz-pop and now this colorful tribute to the songwriting artistry of Joni Mitchell. Bassist Patricia Des Lauriers and drummer Bobbie Rae complement her lively, artful, and mostly percussive interpretations of such familiar classics as "Big Yellow Taxi" and more obscure but no less melodic and infectious gems like "Carey." There's a smooth, poppy sheen to those tracks, but the pianist goes a little more experimental on "Ladies Man," mixing hardcore swinging with slower, swaying passages – challenging the girls to keep up.

One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943). An advanced swing stylist, Byas' playing looked toward bop. He jammed at Minton's Playhouse in the early '40s, appeared on 52nd Street with Dizzy Gillespie, and performed a pair of stunning duets with bassist Slam Stewart at a 1944 Town Hall concert…