Mords Pas, on T'aime (1976)

A very large group session recorded in March 1976 for Fantasy, Everybody Come on Out features Turrentine with Joe Sample, Lee Ritenour, Craig McMullen, Paul Jackson, Harvey Mason, Bill Summers, and Dawilli Gonga.

Hearts on Fire is Baker Gurvitz Army's third and last studio album, released in 1976. Baker Gurvitz Army were an English rock group. Their self-titled debut album featured a blend of hard rock laced with Ginger Baker's jazz- and Afrobeat-influenced drumming. The lengthy "Mad Jack" was that album's outstanding track, and the album hit the US Billboard 200 chart, and peaked at number 22 in the UK Albums Chart. The two following albums contained similar material, although neither charted in the UK nor the US.

It seems strange to realize that this was Mose Allison's only recording during the 1973-1981 period. In addition to his trio with bassist Jack Hannah and drummer Jerry Granelli, such guests as altoist David Sanborn, Al Cohn, and Joe Farrell on tenors and trumpeter Al Porcino pop up on a few selections. However, Mose Allison is easily the main star, performing ten of his originals (including a remake of the famous title cut, "What Do You Do After You Ruin Your Life," and "Swingin' Machine") plus renditions of the standards "Foolin' Myself" and "I Can't See for Lookin'."

The third-and-final album from the Baker Gurvitz Army doesn't quite live up to the high standards reached on the outfit's previous efforts, but it's still an enjoyable work. Formed after the two, London-born Gurvitz brothers Adrian(guitar) and Paul(bass) absorbed ex-Cream drummer Ginger Baker and the curiously-named singer Mr Snips into what was essentially a new formation of their own Three Man Army outfit, the Baker Gurvitz Army produced slick, dynamic and technically-assured rock music tinged with a hint of prog colour…

Jump on It is the fourth album by the California-based hard rock band Montrose. It is the second Montrose album to feature singer Bob James and keyboardist Jim Alcivar, and features bassist Randy Jo Hobbs on three songs…

Lonnie Smith - Keep On Lovin' (1976) {Groove Merchant–Solid Records Japan CDSOL-45933 rel 2018}
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© 1976, 2018 Groove Merchant / Ultra-Vibe / Solid Records Japan | CDSOL-45933
Jazz / Jazz Funk / Soul Jazz / Keyboards

Lonnie Smith's a long way from his Blue Note years here – but the sound is still plenty darn great, thanks to some fuller arrangements from the great Brad Baker – of B Baker Chocolate Company fame! The whole thing's quite electric – with Lonnie on Fender Rhodes and other keyboards on most tracks, and rhythms that bring in bits of strings amidst the smaller jazz combo vamping – a blend that's smoothly soulful, but still more than funky enough to please our ears. Lonnie even sings a bit on the record, too – in this slightly-spacey quality that has echoes of Stevie Wonder – but the main focus overall is on his keyboards, which step out nicely over the backings.

Thin Lizzy found their trademark twin-guitar sound on 1975's Fighting, but it was on its 1976 successor, Jailbreak, where the band truly took flight. Unlike the leap between Night Life and Fighting, there is not a great distance between Jailbreak and its predecessor. If anything, the album was more of a culmination of everything that came before, as Phil Lynott hit a peak as a songwriter just as guitarists Scott Gorham and Brian Robertson pioneered an intertwined, dual-lead guitar interplay that was one of the most distinctive sounds of '70s rock, and one of the most influential. Lynott no longer let Gorham and Robertson contribute individual songs - they co-wrote, but had no individual credits - which helps tighten up the album, giving it a cohesive personality, namely Lynott's rough rebel with a heart of a poet…