Morze Statki i Okrety №6, 2007

Morze Statki i Okrety Wydanie Specjalne №6 2016  Magazines

Posted by Димарик at Feb. 13, 2017
Morze Statki i Okrety Wydanie Specjalne №6 2016

Morze Statki i Okrety Wydanie Specjalne №6 2016
Polish | 84 Pages | PDF | 14 MB

Morze Statki i Okrety Lipiec-Sierpien 2017  Magazines

Posted by bakerman at Aug. 25, 2017
Morze Statki i Okrety Lipiec-Sierpien 2017

Morze Statki i Okrety Lipiec-Sierpien 2017
Polish | 97 pages | PDF | 17 MB

Morze Statki i Okrety Wydanie Specjalne №5 2016  Magazines

Posted by Димарик at Feb. 13, 2017
Morze Statki i Okrety Wydanie Specjalne №5 2016

Morze Statki i Okrety Wydanie Specjalne №5 2016
Polish | 83 Pages | PDF | 13 MB

Morze Statki i Okrety Styczen - Luty 2017  Magazines

Posted by Димарик at March 9, 2017
Morze Statki i Okrety Styczen - Luty 2017

Morze Statki i Okrety Styczen - Luty 2017
Polish | 100 Pages | PDF | 17 MB

Morze Statki i Okrety Marzec - Kwiecien 2017  Magazines

Posted by Димарик at July 14, 2017
Morze Statki i Okrety Marzec - Kwiecien 2017

Morze Statki i Okrety Marzec - Kwiecien 2017
Polish | 99 Pages | PDF | 16 MB

Morze Statki i Okrety Maj - Czerwiec 2017  Magazines

Posted by Димарик at July 14, 2017
Morze Statki i Okrety Maj - Czerwiec 2017

Morze Statki i Okrety Maj - Czerwiec 2017
Polish | 98 Pages | PDF | 16 MB

Morza i Okrety №6 Listopad-Grudzien 2016  Magazines

Posted by Димарик at Feb. 13, 2017
Morza i Okrety №6 Listopad-Grudzien 2016

Morza i Okrety №6 Listopad-Grudzien 2016
Polish | 84 Pages | PDF | 13 MB

Herman Rarebell - I'm Back (2007)  Music

Posted by v3122 at Dec. 27, 2021
Herman Rarebell - I'm Back (2007)

Herman Rarebell - I'm Back (2007)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Mausoleum Records, 251093 | ~ 362 or 116 Mb | Artwork(jpg) -> 139 Mb
Hard Rock

The most known drummer of Hard lock legends SCORPIONS is back in town. Herman Rarebell, the man behind the German band's kit during their most 'classic' period, releases his newest solo album and - while listening to the CD for the x-th time - he seems rather in good mood to deliver some plain hard rockin' 'n' rollin' tunes that will surely not 'drive' some either crazy or bored…
Osmo Vänskä, Minnesota Orchestra - Ludwig van Beethoven: Symphonies 1 & 6 (2007)

Osmo Vänskä, Minnesota Orchestra - Ludwig van Beethoven: Symphonies 1 & 6 (2007)
EAC | FLAC | Image (Cue & Log) ~ 265 Mb | Total time: 68:22 | Scans included
Classical | Label: BIS | # BIS-1716 SACD | Recorded: 2007

The fact that Beethoven was nearly thirty before he completed his First Symphony is indicative of his great respect for the genre. His careful preparations included a year of regular lessons with Haydn, the ‘father of the symphony’, as well as the composing of piano sonatas and piano trios that exhibit distinctively symphonic elements. Meanwhile he mastered the art of writing for orchestra by composing a number of concertos. As we know, these preparations paid off and the First Symphony has been part of the repertoire ever since its première in 1800. Already some years later Beethoven sketched some ideas for an orchestral work based on pastoral themes, but again he took his time in bringing them to fruition.
Richard Hickox, BBC National Orchestra of Wales - Edward Elgar: Symphony No.3; Pomp and Circumstance March No.6 (2007)

Richard Hickox, BBC National Orchestra of Wales - Edward Elgar: Symphony No.3; Pomp and Circumstance March No.6; So Many True Princesses (2007)
EAC | FLAC | Image (Cue & Log) ~ 295 Mb | Total time: 70:18 | Scans included
Classical | Label: Chandos | # CHAN 5057 | Recorded: 2007

This disc not only completes Richard Hickox’s Elgar cycle but also provides a fourth recording of the Third Symphony in Anthony Payne’s ‘elaboration’. Indeed, it collates all three of Payne’s Elgar realisations – including recorded debuts of the 1932 memorial ode for Queen Alexandria and the Pomp and Circumstance March No. 6…in terms of recording, then new disc (with a succinct and informative note by Anthony Burton) is a clear winner, the SACD sound having a depth and spaciousness that does justice to Payne’s Elgarian sound-world.