Mosaic Jazz

John Patton - Mosaic Select 6 (2003) {3CD Set Mosaic MS-006 rec 1963-1968}
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© 1963-68, 2003 Mosaic Records | MS-006 / 72435 84072 2 8
Jazz / Hard Bop / Soul Jazz / Jazz Funk / Organ

The Mosaic Select treatment has deservedly been given to Big John Patton. There are those who argue that Patton's entire catalog should have been the subject of a Mosaic box set proper. There was easily enough material for five, if not six, CDs. There are five albums collected here. His first three, Along Came John, The Way I Feel, and Oh Baby!, were recorded in 1963, 1964, and 1965, respectively. The last two on this set are That Certain Feeling and Understanding, from 1968. Missing are Blue John, his proper second album from 1963 and unreleased until 1986, Let 'Em Roll, and Got a Good Thing Goin', released in 1965 and 1966, and his post-1968 work, Accent on the Blues, Memphis to New York Spirit (unreleased until 1996), and Boogaloo.

Gerry Mulligan - Mosaic Select 21: 1957-1958 (2006) {3CD Set Mosaic Records MS-021}
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© 1957-58, 2006 Mosaic Records / EMI | MS-021 | 24-bit remaster by Ron McMaster
Jazz / Cool / West Coast Jazz / Saxophone

Gerry Mulligan was certainly busy in December 1957. During a two-week period, the baritonist recorded a reunion album with trumpeter Chet Baker, documented a set of his songs with an octet that featured five top saxophonists, recorded a very obscure set with a sextet that included four strings, and cut most of an album in which his quartet teamed up with singer Annie Ross. This limited-edition three-CD set contains all of the music plus alternate takes and the last part of the Ross album, which was recorded nine months later with trumpeter Art Farmer in Baker's spot. The reunion with Baker, one of only two times when Mulligan and the trumpeter got back together (the other was a 1970s concert), has some of the old magic of the famous 1951-1952 pianoless quartet.

Mosaic Select is a jazz reissue series of numbered limited-edition releases that focus on an artist's important but neglected work in a 3 CD set.
The music on Mosaic Select 14 was recorded live at the Keystone Korner, San Francisco, between May 13, 1978, and March 27, 1979

Tal Farlow – The Complete Verve Tal Farlow Sessions (2004) {7CD Box Set Mosaic MD7-224 rec 1951-1959}
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© 1951-59, 2004 Mosaic Records / Verve / Universal | MD7-224
Jazz / Bop / Cool / Guitar

Tal Farlow, was an innovative self-taught jazz guitarist who influenced generations of guitarists following in his footsteps. Although some of his peak years as a recording artist occurred during his association with Verve between 1954 and 1959, relatively few of the tracks were available for decades until the release of this comprehensive Mosaic box set. The music is consistently brilliant, as the leader's solos seem to evolve effortlessly, often finding fresh ground in the many standards and classic jazz compositions performed in this set. Aside from the three opening tracks from Farlow's days as a member of vibraphonist Red Norvo's trio, the guitarist is the leader.

Johnny Smith - The Complete Roost Johnny Smith Small Group Sessions (1952-64) {8CD Box Set Mosaic MD8-216 rel 2002}
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© 1952-64, 2002 Roost / Mosaic Records / EMI | MD8-216
Jazz / Cool / Guitar

Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.

Onzy Matthews - Mosaic Select 29 [3CD] (2007) {Mosaic Records}
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© 2007 Mosaic Records / EMI | MS-029 / B2-94950
Jazz / Big Band / Swing

Onzy Matthews was an arranger and pianist who wrote for Lou Rawls, Esther Phillips, Ray Charles, Duke Ellington and others without achieving any fame. Matthews recorded 51 selections as a leader, all of which are on the three-CD Onzy Matthews (Mosaic Select). The program, which includes 29 previously unreleased performances, features some of the top Los Angeles-area jazz musicians of 1963-64, including the legendary trumpeter Dupree Bolton, altoists Earl Anderza and Gabe Baltazar, and tenors Curtis Amy and Clifford Scott. The music, played by groups ranging from combos to big bands, includes hard-bop, bossa nova and a few commercial numbers. Capitol only chose to issue two LPs during Matthews’ life, which ended in obscurity in 1997, but Mosaic has now made it possible to fully enjoy and appreciate his overlooked talents as an arranger, pianist and (on three songs) vocalist.

Johnny Richards - Mosaic Select 17 (2005) {3CD Set Mosaic MS-017 rec 1955-1966}
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© 1955-66, 2005 Mosaic Records / Capitol | MS-017
Jazz / Progressive Jazz / Third Stream / World

This three-CD set reissues arranger Johnny Richards' Capitol and Roulette albums that originally were called Wide Range, Experiments in Sound, The Rites of Diablo, My Fair Lady, and Aqui Se Habla Espanol, the great majority of his recordings as a leader. In addition, Richards' portion of the album Annotations of the Muses plus a few unreleased selections are included. Johnny Richards, who is most famous for his association with Stan Kenton, was an inventive writer who starting in 1957 and had a band of his own. The music on this three-fer includes the adventurous three-part third stream piece "Annotations of the Muses," a set of Richards' adaptations of themes from My Fair Lady, a few Afro-Cuban projects, some relatively straight-ahead but complex jazz, and Richards' hit "Young at Heart." There are many short solos from the top-notch sidemen, but it's Johnny Richards' writing that makes this set quite definitive and memorable.

Anthony Braxton - The Complete Arista Recordings Of Anthony Braxton (2008) {8CD Set Mosaic MD8-242}
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© 2008 Mosaic Records / Arista / Sony BMG | MD8-242
Jazz / Avant-Garde Jazz / Creative Orchestra / Experimental Big Band

Since he released the completely solo For Alto in 1968, the accepted image of Anthony Braxton has been that he is more a theoretician and art music composer than a jazz musician. Therefore, it might seem strange that Mosaic Records is giving his Complete Arista Recordings one of their fabled box set treatments. But Braxton is both – and much more. This set – as well as the original Arista recordings – were produced by Michael Cuscuna, Mosaic/Blue Note label head. The sheer scope of these recordings is staggering. What we get in this amazingly detailed collection is the weightiest argument yet for Braxton's range and depth of field as a musical thinker and his role as a pillar of modern jazz.