Motörhead was an English rock band formed in June 1975 by bassist, singer, and songwriter Ian Fraser Kilmister (1945–2015), professionally known by his stage name Lemmy, who had remained the sole constant member. The band are often considered a precursor to, or one of the earliest members of, the New Wave of British Heavy Metal, which re-energised heavy metal in the late 1970s and early 1980s. Despite this, Lemmy had always dubbed their music as simply "rock and roll"…
The Lemmy Kilmister/Phil Campbell/Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise… Live in Berlin is a thunderous performance from the band’s 2012 Kings of The Road tour, spanning fifteen classics across all four decades. This line-up was Motörhead’s longest serving by a considerable distance, and throughout Louder Than Noise… Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister/Campbell/Dee trademark. From the unapologetically furious ‘I Know How to Die’ to a deliciously rare and raucous ‘Over the Top’, Louder Than Noise… Live in Berlin is all about the thick, raw and liberating power of Motörhead live. Further highlights include a favorably feral ‘Rock It’, a rudely raunchy ‘You Better Run’ and a classic one-two haymaker of ‘Ace of Spades’ and ‘Overkill’. Whether a collector completist or newbie to Motörhead’s music, Louder Than Noise… Live in Berlin is a welcome reminder of what real rock ‘n’ roll is truly about.
Motörhead were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian Fraser Kilmister (1945–2015), professionally known by his stage name Lemmy, who had remained the sole constant member. The band are often considered a precursor to, or one of the earliest members of, the New Wave of British Heavy Metal, which re-energised heavy metal in the late 1970s and early 1980s. Despite this, Lemmy had always dubbed their music as simply "rock and roll"…
The liner notes that Mick Wall wrote for Stone Deaf Forever are full of interesting anecdotes, but the most interesting of all has to do with a 1979 show that found Motörhead and the Damned appearing on the same bill. According to Lemmy Kilmister, a lot of bottles were thrown that night. Motörhead fans threw bottles at the Damned, and Damned fans threw bottles at Motörhead. These days, Motörhead and the Damned seem like a perfectly logical combination, but back in the late '70s, there was still a great deal of animosity between headbangers and punks. However, they became the best of friends in the '80s, and Motörhead deserve much of the credit for that alliance…
Motörhead was an English rock band formed in June 1975 by bassist, singer, and songwriter Ian Fraser Kilmister (1945–2015), professionally known by his stage name Lemmy, who had remained the sole constant member. The band are often considered a precursor to, or one of the earliest members of, the New Wave of British Heavy Metal, which re-energised heavy metal in the late 1970s and early 1980s. Despite this, Lemmy had always dubbed their music as simply "rock and roll"…
Although it isn't as extensive as No Remorse, All the Aces: The Best of Motörhead does gather the best-of-the-best of that collection, as well as the cream of the uneven, Bill Laswell-produced Orgasmatron (although the "Ace of Spades" remix that closes the original track listing could have been left off in favor of another, more necessary item). There's plenty of quality material from Motörhead's early-'80s heyday that didn't make the cut here, so it's better to think of All the Aces as a concise survey rather than a definitive encapsulation…
This is the prefect CD to introduce someone to Motörhead. Sure "Ace of Spades" and "Overkill" are great songs, but Motörhead is so much more than their "hits". This album embraces the more over looked gems like "Traitor", "Bad Religion", and "Cradle To The Grave"…