This 1993 recording is a follow-up to an earlier duo session by Andy LaVerne and John Abercrombie, although they add bassist George Mraz and drummer Adam Nussbaum for this date. Following a rather upbeat, introspective arrangement of the standard "Beautiful Love," they stick to originals by either the pianist or the guitarist. LaVerne's "Mother of Pearl" is a shimmering post-bop work that is full of surprises, while "Opal" is a treasure of a different sort, prominently featuring Abercrombie's brittle-sounding electric guitar. Abercrombie's "Monk Like" has a quirky line much like its namesake might employ, and the unpredictable ballad "Farewell" serves as an appropriate conclusion to this enjoyable CD.
Chicago-based guitarist Melvin Taylor is a star in Europe, but it may take some time for U.S. audiences to catch on to just how phenomenally talented a bluesman he is. Part of the problem for Taylor may be his own natural eclecticism. He's equally adept playing jazz or blues, but in the last few years, he's forged a name for himself as a blues guitarist with a slew of releases for Evidence Music. Taylor may well be the most talented new guitarist to come along since Stevie Ray Vaughan.
The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
This edition contains two amazing original albums by the great Pee Wee Russell. New Groove (Columbia CS-8785) presents him fronting his own quartet accompanied by trombone, and a piano-less rhythm section of bass and drums. The second LP, The College Concert of Pee Wee Russell and Henry Red Allen (Impulse AS-9137), appears here for the first time ever on CD. It features the clarinettist in a quintet format co-led by Allen, backed by an impressive modern rhythm section composed of Steve Kuhn on piano, Charlie Haden on bass, and Marty Morell on drums. As a bonus, “Mariooch”, which marks the only quartet song featuring Russell from the larger group album Jazz Reunion.