Motor Ace

I Want You to Want Me is a song by the American rock band Cheap Trick from their second album In Color. It was the first single released from that album, but it did not chart in the United States. I Want You to Want Me was a number-one single in Japan. The Hooters were formed by Rob Hyman and Eric Bazilian and played their first show on July 4 of that year. They took their name from a nickname for the melodica, a type of keyboard harmonica which is German in origin, created by Hohner. Its musical style is influenced by Steinmans appreciation of Richard Wagner, Bruce Springsteen and The Who. Bat Out of Hell has been certified by the Recording Industry Association of America as a platinum album, fourteen times over.Holding Out for a Hero is a song recorded by Welsh singer Bonnie Tyler for the soundtrack film Footloose, and later included on her album Secret Dreams and Forbidden Fire.

Motörhead has been a staple of the heavy metal world for three decades. Their output has been very consistent, with hardly any stinkers at all. Bomber is a often forgotten but is an absolute classic. Now released as an expanded edition, there's absolutely no reason for you to leave this one out of your collection. This is essential for all true metal fans.

Harmonica Shah is a man with his unique brand of Deep Down in the Groove Blues showcased to maximum advantage on his third Electro-Fi release “If All You Have Is A Hammer, Everything Looks Like A Nail”( EFI 3413).

The Ultimate Collection: Driving Songs brings together 5CDs containing 100 tracks that encapsulate the very best music to listen and singalong to whilst hitting the open road. Packed full of motor-charged huge hit singles this amazing collection contains something for everyone; rock standards from the likes of Bachman Turner Overdrive, Status Quo and Kiss, punk & indie classics by Sham 69, James and The Fratellis as well as 80s anthems by Simple Minds, Tears For Fears and Frankie Goes To Hollywood. Whatever your mood this fabulous compilation contains just the right songs from some of the biggest artists in the world; they are all here to provide the best soundtrack to accompany you on your journey.

Five CD set. Off on a journey and looking for some tunes to help you along? Driving In My Car has you covered. You'll find 100 storming tracks here, with the first CD focusing on '80s and '90s singalong pop hits from Madness, A-ha and Roxette. It's foot to the floor on CD2 with rock classics by Whitesnake, Dr Feelgood and Biffy Clyro, while the third CD keeps up the pace with Dexys Midnight Runners, New Order and Faces. No letting up on CD4 as Nickelback, Ramones and ZZ Top feature. There's just time left before your destination for a fifth disc full of dance classics from Robin S, Moloko and Snap! Amongst many others. Driving In My Car: Ultimate Car Hits brings you 100 indispensable songs that are the perfect accompaniment to the open road.

Sparse but compelling gospel recordings from the late 60s and early 70s, brimming with the soul sounds for which Dave Hamilton is renowned.

Clive is an acoustic fingerpicker with a beautifully clean technique and the ability to draw you into his music with astonishing ease. This album of predominantly self-composed tracks offers a striking blend of classical guitar meets folk with seamless changes from chamber music into Irish reels. There's sincerity in his playing and in his approach, which leaves you feeling it's all being played for you personally. Praise must also be given to Chris Newman's beautifully simple production that brings Clive right into your home. Ralph Bown built the guitar Clive uses and this will serve as a superb testimonial to his abilities. Listen and be amazed.

What's Up Front That Counts Review by Andrew Hamilton
Shortchanged by Westbound records in favor of the Ohio Players and Funkadelic, the Counts were a good band that didn't hang around long enough to sniff gold. "Rhythm Changes" dropped as a single while this LP, their first, incubated. The credit read "the Fabulous Counts," but by time the album emerged, they were simply the Counts. "Thinking Single" was the first 45 from the completed album, but "What's Up Front," a studio monster comprising eight minutes of stoner funk; the staccato-ish "Rock of Lies"; and "What's It All About," a lurching beat-ballad, were better choices. Style-wise, the Counts exhibited shades of the Ohio Players but were nowhere near as identifiable. Like the Barkays, but to a much greater degree, the Counts didn't have a definitive style. But that hardly kept them from jamming their butts off, as they do on this disk.