Motown Anthems

In a career spanning four decades Steveland Judkins Morris has been many things: child star, funk hero, political chronicler, the saviour of Motown Records and depressingly, the instigator of the painfully schmaltzy R&B ballad. Thankfully, this exhaustive "Best Of…", timed to commemorate the 40th anniversary of his first appearance as Little Stevie Wonder, focuses mainly on the 1966-1980 glory years and his transition from incendiary soul man to voice of the 70s.

In a career spanning four decades Steveland Judkins Morris has been many things: child star, funk hero, political chronicler, the saviour of Motown Records and depressingly, the instigator of the painfully schmaltzy R&B ballad. Thankfully, this exhaustive "Best Of…", timed to commemorate the 40th anniversary of his first appearance as Little Stevie Wonder, focuses mainly on the 1966-1980 glory years and his transition from incendiary soul man to voice of the 70s. The jackhammer beats, shout-along choruses and wailing harmonica peg "Uptight", "Signed, Sealed, Delivered" and "I Was Made To Love Her" as three of the finest anthems of the Motown era, and "My Cherie Amour" as one of its sweetest love songs. But it was when he turned his attention to grinding keyboard grooves and social concerns that Wonder really came into his own

During times of extreme political and social change, Stevie Wonder's voice and songwriting served as cultural and spiritual guideposts to many a listener, often lending insight and a barometer with which to measure the ways of the world. But that was largely during the golden phase of his career, generally regarded as being the late '60s through 1980's Hotter Than July. His work in the mid-'80s through the '90s was marginal in comparison, only hinting at glimpses of former brilliance, sugar-coated by over-polished production and radio-friendly content. So with a decade passing since his last full-length, 1995's Conversation Piece, people waited with bated breath for a sign of his return…and wondered which Wonder would show up: would it be the socially conscious genius who wrote anthems for a generation, or the R&B crooner who dominated quiet storm radio? Thankfully, it's a blend of both.

Few bands in the history of rock & roll were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notoriously intense live performances demonstrated. The group was a whirlwind of activity, as the wild Keith Moon fell over his drum kit and Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey strutted across the stage with a thuggish menace, as bassist John Entwistle stood silent, functioning as the eye of the hurricane.

Once Upon a Time in the West is the second studio album by English indie rock band Hard-Fi. It was released on 3 September 2007 on Necessary/Atlantic and Warner Music UK. It reached #1 in the UK Album Chart in the first week of its release, unlike its predecessor Stars of CCTV, which took around five months to do so. It also reached #5 in the European Top Albums.