Mozart Symphony No. 19

Jeannette Sorrell, Apollo's Fire - Wolfgang Amadeus Mozart: Symphony No. 40; Ballet Music from Idomeneo (2010)

Jeannette Sorrell, Apollo's Fire - Wolfgang Amadeus Mozart: Symphony No. 40; Ballet Music from Idomeneo (2010)
EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 61:05 | Scans included
Classical | Label: Avie Records | # AV2159 | Recorded: 2003, 2008

The group Apollo's Fire, also known as the Cleveland Baroque Orchestra, was founded by its present conductor Jeannette Sorrell. Playing on period instruments, the modestly sized ensemble delves into the later end of the repertoire with this Mozart disc on the Avie album. Sorrell makes the curious choice to open the program with the well-known, powerful Symphony 40 in G minor, a work that concludes with such fervor and drama that it would seem more appropriately placed at the conclusion of the disc. Sorrell's vision for Mozart seems to be one of modest intensity and tempo diversity. Neither of the outer movements are noticeably driven or brisk, and the inner movements are likewise unsurprising in their execution.
Berliner Philharmoniker, Karl Böhm - Mozart: 46 Symphonies (1996)

Berliner Philharmoniker, Karl Böhm - Mozart: 46 Symphonies (1996)
WEB | FLAC (tracks) - 3.9 Gb | 12:24:35
Genre: Classical | Label: Deutsche Grammophon

Karl Böhm's recording of the Mozart symphonies with the Berlin Philharmonic Orchestra is among the most respected and beloved sets of this important body of work. Böhm's set was the first complete recording of the symphonies (including several that subsequent scholarship has shown to be written by other composers and misattributed to Mozart) and it remains a substantial achievement because of the conductor's stature as a Mozartian and because of the enthusiastic and refined playing of the Berlin Philharmonic.
Joseph Keilberth, Symphonieorchester des Bayerischen Rundfunks - Mozart: Symphonie No.40; Brahms: Symphonie No.2 (2001)

Joseph Keilberth, Symphonieorchester des Bayerischen Rundfunks - Mozart: Symphonie G-Moll KV 550; Brahms: Symphonie No. 2 D-Dur (2001)
XLD | FLAC | Tracks (Cue & Log) ~ 328 Mb | Total time: 65:14 | Scans included
Classical | Label: Orfeo | # C553011B | Recorded: 1966

Joseph Keilberth conducts Mozart’s Symphony No. 40 with a stern lyricism not unlike that found on George Szell’s Cleveland recording. Keilberth’s quick tempos, sensitive yet unsentimental phrasing (particularly so in the first movement), and clear textures make the music sound with a compelling freshness and vibrancy that you would better expect from a modern authentic-style performance than one from December, 1966. If anything, the Brahms Second is even finer. A wholly natural flow characterizes this reading, as if the music were a living thing, devoid of any need for interventionist interpretation. Under Keilberth the first movement’s melancholy tinged with joyfulness emerges freely, while the Adagio emerges as a single rapturous, cogent paragraph. Even the studied finale relaxes and sounds less rigorously Beethovenian.
Joseph Keilberth, Symphonieorchester des Bayerischen Rundfunks - Mozart: Symphonie No.40; Brahms: Symphonie No.2 (2001)

Joseph Keilberth, Symphonieorchester des Bayerischen Rundfunks - Mozart: Symphonie G-Moll KV 550; Brahms: Symphonie No. 2 D-Dur (2001)
XLD | FLAC | Tracks (Cue & Log) ~ 328 Mb | Total time: 65:14 | Scans included
Classical | Label: Orfeo | # C553011B | Recorded: 1966

Joseph Keilberth conducts Mozart’s Symphony No. 40 with a stern lyricism not unlike that found on George Szell’s Cleveland recording. Keilberth’s quick tempos, sensitive yet unsentimental phrasing (particularly so in the first movement), and clear textures make the music sound with a compelling freshness and vibrancy that you would better expect from a modern authentic-style performance than one from December, 1966. If anything, the Brahms Second is even finer. A wholly natural flow characterizes this reading, as if the music were a living thing, devoid of any need for interventionist interpretation. Under Keilberth the first movement’s melancholy tinged with joyfulness emerges freely, while the Adagio emerges as a single rapturous, cogent paragraph. Even the studied finale relaxes and sounds less rigorously Beethovenian.
Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)

Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 3:00:51 | 784 / 415 Mb
Genre: Classical

The most beautiful Classical songs by Wolfgang Amadeus Mozart and many more on one compilation!
Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)

Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 3:00:51 | 784 / 415 Mb
Genre: Classical

The most beautiful Classical songs by Wolfgang Amadeus Mozart and many more on one compilation!
Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)

Wolfgang Amadeus Mozart - Ultimate Classical Masterpieces_ Mozart, Verdi, Vivaldi (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 3:00:51 | 784 / 415 Mb
Genre: Classical

The most beautiful Classical songs by Wolfgang Amadeus Mozart and many more on one compilation!
London Symphony Orchestra - Mozart- Symphony No. 40; Haydn- Symphony No. 92 (1954/2024) [Official Digital Download]

London Symphony Orchestra - Mozart- Symphony No. 40; Haydn- Symphony No. 92 (1954/2024) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 48:31 minutes | 440 MB
Classical | Studio Master, Official Digital Download

Born and raised in Vienna, Josef Krips trained as a choirboy and studied with Felix Weingartner, who then hired him as a repetiteur at the Volksoper. He his debut there in 1921, before graduating to the Vienna State Opera in 1933. In the aftermath of the Second World War, it was Krips above all who reformed and re-trained the State Opera as a world-class ensemble, and in the most difficult conditions. His pragmatism and understated authority made him a model recording conductor, and Decca hired him to work with orchestras in several of their centres of activity.
London Symphony Orchestra - Mozart- Symphony No. 39, Symphony No. 41 (1959/2023) [Official Digital Download]

London Symphony Orchestra - Mozart- Symphony No. 39, Symphony No. 41 (1959/2023) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 55:28 minutes | 609 MB
Classical | Studio Master, Official Digital Download

Supplementary to his legendary Beethoven cycles for Decca are Hans Schmidt-Isserstedt’s recordings for Philips, Mercury, Deutsche Grammophon and Accord.
W.A. Mozart - Symphony No. 29 in A; Concerto for 2 piano's in E flat; Concerto for piano and violin in D (2006)

W.A. Mozart - Symphony No. 29 in A; Concerto for 2 piano's in E flat; Concerto for piano and violin in D (2006)
EAC+LOG+CUE | Flac (image) | Size: 222 MB | Artwork: 50,6 MB @ 600dpi | TT: 55:54 | Recovery: 5%
Genre: Romatic | Label: Channel Classics (Canal Grande Series) | Release date: 12-10-2006 | Catalog: CG 06001

This symphony probably may not have changed musical history from the moment it was first written, in Salzburg in early 1774 by the 18-year-old Mozart. But it crystallises the young man’s emerging compositional self-confidence, and that shows him spreading his wings in symphonic music just as he had already started to do in the opera house and in his chamber music.