Mozart Angerer

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances.

Beethoven and Bebop, Debussy and The Doors, Mozart and Mash-Ups. Such pairings are strange, even improbable bedfellows, yet the pianist Friedrich Gulda, one of 20th-century music’s most capricious rebels, managed to connect the dots and bring these disparate musical worlds together throughout his life, to the delight of many and perhaps the disdain of others. Gulda signed to Decca as a teenager, and his first recordings (presented in this set for the first time internationally) are indicative of the repertoire he would continue championing to the end. His complete recordings on Decca are brought together in one edition for the very first time, 40 years after he recorded his last recording for the label, the Beethoven Concertos with the Wiener Philharmoniker and conductor Horst Stein.