Recorded between 1989 and 2004, the Hagen Quartet's recordings of Mozart's complete music for string quartet is clearly the finest set of the works released in the early digital age. For one thing, because the collection includes not only the 23 canonical string quartets but also the three early Divertimenti for string quartet, the five Fugues from Bach's Well-Tempered Clavier arranged by Mozart, and the late Adagio and Fugue in C minor, their set really is the complete music for string quartet.
In celebration of the 75th anniversary of the greatest media event in classical music, Sony Classical released in 2015 a complete edition of all the works ever played at the Wiener Philharmoniker’s New Year’s Concerts. Performed in the “Golden Hall” of the Musikverein between 1941 and 2015, the iconic live performances were issued for the first time in a single box set of 23 CDs. Now, in 2020, this edition will be available as a 26-CD extended version, with all the new repertoire from the last five years compiled on three additional CDs.
Mozart wrote his 17 Church Sonatas between 1772 and 1780, the period in which he was Konzertmeister to the Prince-Archbishop of Salzburg. Sometimes known as Epistle Sonatas, these short instrumental movements were designed to fill the gap between the readings of the Epistle and the Gospel at Mass, so clearly profundity was not something that was required of them. However, if an hour of sonata allegros seems to you like an indigestible prospect then the sheer charm of this music should quickly banish such unworthy thoughts. All under five minutes long, these are delightful pieces, not in the least bit 'churchy' and ranging in scale from chamber music for two violins and continuo (the majority) to symphony-style orchestral movements and a tiny concerto allegro for organ.
This disc, like the others in this series featuring pianist Jeno Jando, is a world-class recording. Mozart would complete twenty-seven concertos for piano and orchestra during his lifetime, many of them the greatest works for that idiom ever created. No. 25 was Mozart's most symphonic effort in the genre he revolutionized during the 1780s. In many of these brilliant concertos, he pitched the piano and orchestra against each other, but in this masterwork they work together as one instrument to produce something extraordinary, even for Mozart. Concerto No. 16 is also a pleasure to hear, the first movement especially. The thoughtful rondo for piano in A major at the end of this disc is a nice extra that Jando plays wonderfully.
Wolfgang Amadeus Mozart's Serenades and Divertimenti for orchestra epitomize his genius in crafting delightful and charming works, musical entertainment at the highest level. Composed during the late 18th century, these pieces showcase Mozart's unique ability to blend sophistication with accessibility. The Serenades, such as the renowned Eine kleine Nachtmusik, Haffner Serenade and Posthorn Serenade, enchant listeners with their graceful melodies and elegant structure. Divertimenti like the "Salzburg Symphonies" radiate exuberance through their lively rhythms and playful themes.
This 14-CD set is really very complete (a few absences are mentioned below). Besides the solo fortepiano works, it features works for piano four-hands, two pianos, even works for organ and the adagio for glass harmonica KV 617a, though these works are performed on the fortepiano. Frankly, I can't bear listening to the glass harmonica, but I prefer the organ works played on organ and the CD with Mozart's organ works I recommend is Mozart - L'oeuvre pour orgue, Olivier Vernet, Cédric Meckler, Ligia Digital. Furthermore, this box presents some never before recorded works comprising recent authentications of Mozart's authorship; doubtful and spurious works; fragments. I name these works below.