For the fourth volume in this collection dedicated to Mozart concertos by the younger generation of performers, the Orpheum Foundation and Alpha Classics present the Concertos nos. 23 and 24 (K488 & 491) performed by the British pianist Julian Trevelyan, who was awarded three prizes at the Géza Anda Competition in Zurich in 2021 and, at the age of sixteen, became the youngest-ever prizewinner at the Marguerite Long Competition in Paris in 2015. ‘Mozart’s music is full of life, humour and enjoyment. My life wouldn’t feel fulfilled if I didn’t have his music’, says the young musician, who is accompanied here by one of the most eminent Mozartian maestros, Christian Zacharias, conducting the ORF Vienna Radio Symphony Orchestra.
Were just one example to be given of the richness and diversity of Mozart's achievements, Concertos Nos. 23 & 24 would undoubtedly make excellent candidates. Completed almost simultaneously in Vienna in early 1786, the two concertos contrast starkly and seem to have been written years apart – or by two distinct yet connected minds of equal genius. Even more astonishing is the fact that they were written in parallel with the first masterpiece of the Da Ponte trilogy, The Marriage of Figaro, while sharing with it very few stylistic similarities.
DG and the Freiburger Barockorchester, one of the world’s foremost period-instrument orchestras, launch a new creative partnership with an album of works associated with the celebrated Mannheim court orchestra. Mozart’s Mannheim couples little-known gems by Cannabich, Holzbauer, Vogler and others with works written by Mozart during his formative visit to Mannheim in the late 1770s.
Ferras was born at Le Touquet in 1933, he began studying the violin with his father, who was a pupil of Marcel Chailley. He entered the Conservatoire de Nice as a student of Charles Bistesi in 1941, and in 1943 obtained the First Prize. In 1944 he went to the Conservatoire de Paris. In 1946 he won the First Prize in both disciplines (violin and chamber music), and started his performing career with the Pasdeloup Orchestra under Albert Wolff, and later Paul Paray. He worked with Romanian violinist and composer George Enescu, who also acted as an instructor. Ferras premiered the Violin Concerto by Federico Elizalde, under the direction of Gaston Poulet.
This box set packages the prizewinning complete edition of Wolfgang Amadeus Mozart s piano concertos which were recorded with Christian Zacharias and the Chamber Orchestra of Lausanne over the past 12 years.
With his distinctive combination of integrity, unique style, surpassing linguistic expressiveness, deep musical insight and assured artistic instinct paired with his charismatic and captivating personality, Christian Zacharias has made a name for himself not only as one of the world s leading pianists and conductors, but also as a musical thinker. Beginning as a pianist and later moving on to work as a conductor as well, his international career burgeoned through numerous widely acclaimed concerts with the world s leading orchestras, renowned conductors not to mention several awards and recordings.
His most loyal fans are trombone teachers and students, but Christian Lindberg deserves a much wider following, not only for his extraordinary technical gifts, but also for his refined and deeply felt interpretations of music from many periods. Classical Concertos is an excursion into charming eighteenth century works by Michael Haydn, Georg Christoph Wagenseil, Johann Georg Albrechtsberger, and Leopold Mozart second-tier composers, admittedly, but competent craftsmen who turned out admirable works for their day.
„An outstanding instrumental soloist who is also brilliant conductor is hard to come by. However, Christian Zacharias of Germany is one such exceptional talent – a well versed, intelligent pianist on the one hand and a conductor with a broad repertoire, including opera, on the other.“ (BZ Basel, Alfred Ziltener, 11 May 2015) With his distinctive combination of integrity, unique style, surpassing linguistic expressiveness, deep musical insight and assured artistic instinct paired with his charismatic and captivating personality, Christian Zacharias has made a name for himself not only as one of the world’s leading pianists and conductors, but also as a musical thinker.