Mr. Wizard

This documentary explores the personal life and incredible career work of Milton H. Erickson, M.D., founder of Modern Hypnotherapy. This unsung American genius was a pioneer in psychiatry using radical and unconventional hypnotic techniques to cure not only patients but to control his own debilitating pain and paralysis.

Winner of the US Investing Championship for two consecutive years (with 563% and 322% returns), Mark is a Trading Wizard featured in Jack Schwager’s best-selling book Stock Market Wizards. Considered one of the best intra-day traders, Mark created the Cook Cumulative Tick Indicator, which he used in his competition-winning performances. This exclusive video is vital viewing for all traders. Learn about the Trading Wizard’s challenges, development and strategies as he shares his experiences and insights.

The 2011 London Palladium production was probably the most impressive stage production I have ever seen. This CD provides an excellent memory of the show with all the musical items. For those who haven't seen the show it is a welcome change from the Judy Garland soundtrack from the iconic film and it includes the new songs written for the stage show by Andrew Lloyd Webber…

Stone the Crows was a tough-luck, working class, progressive soul band that came out of the pubs of Scotland in the early '70s. They had everything going for them at the start: not one, but two gritty singers, a talented guitarist, a rhythm section that had played with John Mayall, and the name recognition of having Led Zeppelin manager Peter Grant as their producer. Despite favorable reviews by the critics, however, they never managed to sell their hybridized soul music to a large audience. In addition, they lost two of their key members early on, one of whom was tragically electrocuted, and the group broke up after four albums. Their biggest contribution to rock was the immense vocal talent of one Maggie Bell. Winner of several Top Girl Singer awards in Britain, Bell had a raunchy, gutbucket voice that, although it fell short of the naked emotion and range of Janis Joplin's, came probably closer to her style than any other female singer.

Despite the inclusion of Carl Allen's moody title cut, this tribute to Miles Davis is mostly pretty happy, with four selections taken from Davis' repertoire of the 1950s and early '60s ("All Blues," "My Funny Valentine," "Dear Old Stockholm," and "Just Squeeze Me") plus a few complementary originals by bandmembers. Trumpeter Nicholas Payton (even if he does not sound like Davis) and altoist Vincent Herring make for a potent team, while pianist Mulgrew Miller and bassist Dwayne Burno join Allen in keeping the music moving. No surprises occur, but there are plenty of fine solos throughout this modern mainstream set.