American blues musician and considered by many to be a founder of the modern Chicago Blues style. A powerful inspiration in the emergence of the electric blues oriented groups in the UK during the 60s.
One of the best recordings in Chess Records' 50th Anniverary series is the first of two bookend Muddy Waters collections, His Best 1947-55. Documenting Waters's most creatively and commercially successful years at Aristocrat/Chess, this collection begins with his formative years and ends with Waters at his peak. So you're in for a lot of terrific bottleneck slide guitar work as well as electric Chicago blues; what's to criticize? Superb remasterings of "I Can't Be Satisfied", "Rollin' and Tumblin'," "I'm Ready", and "Mannish Boy" are simply beyond reproach. With simple bass accompaniment from Ernest "Big" Crawford, Waters's bottleneck tracks are spare, haunting and, quite frankly, perfect country blues. And listening to Waters, Little Walter, Willie Dixon, and Jimmy Rogers piece together (and perfect very quickly) the classic Chicago sound is pure blues epiphany. At the very least, this collection shows you why Waters's rollicking stop-time classics like "Mannish Boy" and "I'm Your Hoochie Coochie Man" have sparked endless imitations over the years–and why nobody has played them better since.
"When The Band's drummer Levon Helm set up a Woodstock-based recording studio and production company in 1975, his first client was the legendary bluesman Muddy Waters. Surrounding him with familiar sidemen Pinetop Perkins and Bob Margolin, plus such simpatico rock and blues stalwarts as The Band's Garth Hudson on accordion and organ, Paul Butterfield on harp, and Howard Johnson on saxophone, the 60-year-old Waters responded with the smoothest and most supple singing of his career. These two sessions are as delightful as any in his long association with Chess Records, and they signify his last album with that label. Among this Grammy Award-winning work's highlights are Muddy's original composition "Born with Nothing," featuring his stinging signature slide; his joyful R&B covers of "Let the Good Times Roll," Wilbert Harrison's "Kansas City," and Louis Jordan's "Caledonia," this last graced by a looping Hudson accordion solo; and the previously unreleased bonus track, "Fox Squirrel"."
- Alan Greenberg Amazon.com