Multi Mhz

This book provides readers with guidelines for designing integrated multi-MHz-switching converters for input voltages/system supplies up to 50V or higher. Coverage includes converter theory, converter architectures, circuit design, efficiency, sizing of passives, technology aspects, etc.

This book describes high frequency power MOSFET gate driver technologies, including gate drivers for GaN HEMTs, which have great potential in the next generation of switching power converters. Gate drivers serve as a critical role between control and power devices.

This book provides readers with a single-source reference to current sensing integrated circuit design. It is written in handbook style, including systematic guidelines and implementation examples. The authors focus on the implementation of wide-bandwidth current sensing on a single microchip, toward usage in applications such as sensing, control and optimization of the energy flow in growth areas like industrial electronics, renewable energies, smart grids, electromobility and the Internet of Things.

This book describes high frequency power MOSFET gate driver technologies, including gate drivers for GaN HEMTs, which have great potential in the next generation of switching power converters. Gate drivers serve as a critical role between control and power devices.

"Live-Evil" is an album of both live and studio recordings by American jazz musician Miles Davis. This greatest masterpieces of all genres finally becomes SACD multichannel (quadraphonic) hybrid format reissue. Remastered in 2019. The 4ch mix of the front and rear is a sound source recorded in Quadraphonic, initially released in March 1973, and can be said to be a long-awaited revival release. The stereo mix that can be heard on SACD have been newly mastered from the analog master. Japanese original release.

It's nothing short of remarkable that Roger Waters has built a successful career on obsessive ruminations on alienation, megalomania, and guilty fame, largely on the backs of one of history's most long-lived arena acts. The musical legacy Waters has shared with "another band" (as he sharply refers to his former Pink Floyd mates in this collection's self-penned liner notes) has served two distinctly different functions: part and parcel of the latter's nostalgia act; autobiographical foundation for the former's ongoing, if decidedly egocentric, Rage at the World. That's essentially the rationale this live collection uses to lean heavily on Waters's Pink prime, from Dark Side of the Moon through The Final Cut. And if that frame sometimes overshadows the images of Waters's solo work–well, no one said he wasn't a pragmatic entertainer.