Music Boys Age

Connie Francis - Kissin, Twistin, Goin Where The Boys Are [1996, 5CD Box, Bear Family BCD 15826 EI]

Connie Francis - Kissin, Twistin, Goin Where The Boys Are (1996)
Country/Pop/Pop Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | Covers -> 18 Mb
Bear Family Records | BCD 15826 EI | ~1909 + 900 Mb

Five more CDs of Connie Francis, picking up right where Bear Family's earlier White Sox, Pink Lipstick set left off, in 1960 – although its 300-plus minutes of music only cover the period of 1960 to 1962. By this time, Connie Francis was established as one of the top female vocal talents of her generation, and she was ready to experiment – you hear her successful move into country music, wonderful outtakes, and never-issued songs from her early-'60s sessions…

Boys Noize - Mayday (2016)  Music

Posted by vItOrrEs2009 at May 21, 2016
Boys Noize - Mayday (2016)

Boys Noize - Mayday (2016)
Label: Boysnoize Records | MP3 320 kbps CBR | 47:52 min | 110 mb
Electronic, House

He’s the techno punk, the unboxable nomad: Berlin DJ and producer BOYS NOIZE will release his 4th solo album MAYDAY on May 20, 2016 via Boysnoize Records. The third track off the new album, “Starchild”, features Channy Leaneagh of Poliça, and has been chosen as the world record by Zane Lowe on his BEATS 1 show. Earlier, “Overthrow” and “Euphoria” ft Remy Banks were revealed from the upcoming release MAYDAY. Alex Ridha, better known as BOYS NOIZE, made his DJ debut at the age of 15, taking a teenager´s love of house and techno to a global scale. Accolades have been bestowed by Rolling Stone, who named him one of the “Top 10 DJ’s Who Rule The World” and Beatport, who elected him “Best Electronic Act” 3 years in a row. He´s rocked the world’s biggest stages, lit up Coachella three times, took Lollapalooza by storm, and headlined festivals and clubs on every continent - from Berlin techno temple Berghain to Fuji Rock in Japan to Justin Vernon’s Eaux Claires Festival in the woods of Wisconsin.

Janet Klein And Her Parlor Boys - 8 Albums (1998-2015)  Music

Posted by Domestos at Sept. 26, 2017
Janet Klein And Her Parlor Boys - 8 Albums (1998-2015)

Janet Klein And Her Parlor Boys - 8 Albums (1998-2015)
MP3 CBR 320kbps | 08:15:08 | 1.2 Gb | Covers
Vocal Jazz, Swing | Country: Los Angeles, California, United States

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.

Janet Klein And Her Parlor Boys - 3 Albums (2004-2010)  Music

Posted by Domestos at Sept. 21, 2017
Janet Klein And Her Parlor Boys - 3 Albums (2004-2010)

Janet Klein And Her Parlor Boys - 3 Albums (2004-2010)
EAC Rip | FLAC (tracks+.cue, log) ~ 1009 Mb | 03:03:06 | Scans included
Vocal Jazz, Swing

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.

Bad Boys Blue - Heartbeat (1986)  Music

Posted by EktorasClub at Nov. 30, 2009
Bad Boys Blue - Heartbeat (1986)

Bad Boys Blue - Heartbeat
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers | RAR 3% Rec. | 304 MB | RS.com
Release: 1986 | Label: Ariola / Coconut Records | Number: 258 017 | Genre: Pop| Mono/Stereo: 2 Channel

Bad Boys Blue - Heartbeat (1986)

Bad Boys Blue was formed in the summer of 1984 by German producer Tony Hendrik and his lyricist wife Karin van Haaren. The original trio was composed of British Trevor "Supa T" Taylor born in Birmingham, England; the original lead vocalist, British John McInerney; the lead singer since 1987, and American Andrew Thomas. The debut single L.O.V.E. In My Car failed to make an impression in the pop charts but the follow-up You're A Woman was a success, reaching the top 10 in many European countries. The group became massively popular in Eastern Europe and South Africa, with the band performing to sell-out crowds in Russia and the Ukraine. In contrast, the group never charted in the UK, and their only charting USA singles were Save Your Love (1993) and Luv 4 U (1994) which became successful chart hits. Those singles were from two of their albums that were released Stateside. Those albums are Bad Boys Blue (1993) and To Blue Horizons (1994). The group has experienced numerous line up changes. In 1988 Trevor Taylor left the group a year after being gradually demoted from his role of the lead singer. He was asked to rejoin the group the following year just for recording sessions of Hungry for Love single that was to be featured on the group's first compilation album Bad Boys Best. Trevor Taylor's departure permanently secured John McInerney's position as the band's new lead vocalist. Trevor Taylor was replaced by Trevor Bannister (born 1965.08.05 Grimsby, England), whose function in the group was mainly to perform Trevor Taylor's hits on live gigs. It is during Bannister's tenure with the band that Bad Boys Blue began taking numerous tours to Eastern Europe and gained much popularity there. Trevor Bannister left in 1993 and the remaining two members performed as a duo. During its entire South African tour, the duo was briefly joined by Owen Standing, who left the group shortly after, and therefore was not considered to be a permanent band member. Multi-talented Irmo Russel (born 1956.03.15 Aruba, Caribbean sea) joined the group in 1995, who in addition to stepping into Bannister's shoes was instrumental in revitalizing the group's creative potential, by becoming a composer, a video director, and occasionally assuming the role of lead singer on some of the tracks. At the end of 1999 Kevin McCoy (stage name JoJo Max) replaced Irmo Russel by joining Bad Boys Blue full-time after being the group's rapper since 1998, but left in early 2003 leaving Bad Boys Blue as a duo again. However, in 2005, Kevin McCoy rejoined Andrew Thomas' Bad Boys Blue line-up.
Various Artists - The Golden Age Of American Popular Music 1956-1965 (2006) {Ace Records CDCDH 1111}

Various Artists - The Golden Age Of American Popular Music 1956-1965 (2006) {Ace Records CDCDH 1111}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 327 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (png) -> 75 Mb | 5% repair rar
© 1956-65, 2006 Ace Records | CDCHD 1111
Pop / Transcended Rock'n'Roll / British Invasion

It was always going to be a dangerous mission. Trevor Churchill’s brainchild, THE GOLDEN AGE OF AMERICAN POP, had been in development for some time and the prototype was about to be launched into the fray with a bundle of seemingly undifferentiated repertoire. The potential embarrassment factor was high with risk of heavy flak on the way and snipers on the ground in the landing zone. Trevor was calling for volunteers. There was a lot of nervous shuffling among the ranks. Some of the lads took to studying their toecaps, while others took an inordinate interest in the state of their cuticles, or tried to look inconspicuous by melting into the background.

VA - Greatest Ever! The Definitive Collection Part 2 (2011-2015)  Music

Posted by Discograf_man at Sept. 20, 2015
VA - Greatest Ever! The Definitive Collection Part 2 (2011-2015)

VA - Greatest Ever! The Definitive Collection Part 2 (2011-2015)
Pop, Soul, Dance, Rock, Electronic… | MP3 CBR 320 kbps | 6,8 Gb
Label: Union Square Music Limited | Release Year: 2011-2015

GREATEST EVER! is Union Square Music’s select, best-selling label, utilising the very best repertoire from key major labels, Greatest Ever’s 3CD box sets are some of the strongest multi-artist compilations on the market, with the greatest ever songs.
V.A. - Mambo Cubano: The golden age of Cuban Music 1940-1960 (2CD, 2000)

V.A. - Mambo Cubano: The golden age of Cuban Music 1940-1960 (2CD, 2000)
2CD EAC Rips | FLAC (image & cue & log) & mp3 @ 320 kbps | tracks: 40 | Scans | 1:54:47 | ~ 609 Mb & 283 Mb
Label: Proper-RETRO | 5% recovery record | Original recordings | Genre: Latin jazz

A rare double album from the quality series Proper-RETRO with 40 authentic recordings of Cuban Mambo hits. Tito Puente, Perez Prado, Xavier Cugat, Celia Cruz, Orquestra Aragon and other latin jazz legends, play their timeless hits. Full artwork and booklet inclosed. Enjoy a collector's gem in lossless.

Gretchen Wilson - One Of The Boys (2007)  Music

Posted by countryfreak at Jan. 25, 2012
Gretchen Wilson - One Of The Boys (2007)

Gretchen Wilson - One Of The Boys (2007)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 254 MB
Genre: Country/Country-Pop | Label: Columbia Nashville | Catalog Number: 89201
RAR 5% Rec. | Rapidshare + FilePost | Release Date: May 15, 2007

Gretchen Wilson set the country music charts on fire with her smash single "Redneck Woman" and her debut album, Here for the Party (2004). The track – though composed by colleague John Rich (of Big & Rich) – became an anthem for women all over America. Written especially for Wilson, it is from-the-gut, working-class feminism for the post-feminist age, straightforwardly sung with a celebratory vengeance. As a slice-of-life singer who embodied and brought to life each cut on the album, she became an "overnight sensation." Her follow-up, All Jacked Up (2005), was recorded and rushed out by Sony a year later…..

The Beach Boys - Spirit Of America (2006)  Music

Posted by ciklon5 at April 27, 2023
The Beach Boys - Spirit Of America (2006)

The Beach Boys - Spirit Of America (2006)
FLAC (tracks), Lossless / MP3 320 kbps | 50:31 | 115 / 295 Mb
Genre: Rock, Pop, Psychedelic / Label:Capitol Records

The follow-up to 1974's incredibly popular Endless Summer – which gave the Beach Boys their highest chart placement for an album (at number one, no less) in a dog's age – Spirit of America was a similar attempt to mine the group's classic Capitol Records catalog, with odder and somewhat less satisfying results. But some of the less than wholly satisfying moments were more a reflection of the woeful state of Capitol's A&R department than they were any black mark against the Beach Boys' music. And the album did have its unexpected joys, as well as a few lessons to teach a lot of bands from the 1970s. Endless Summer had, indeed, mined the lion's share of big hits associated with the band, but Spirit of America, which was more hooked around the band's car song repertory than its surf music output, had its familiar moments – "409," "Dance, Dance, Dance," "Little Honda," "Do You Wanna Dance," and "Barbara Ann" were great selections (and perfect to reach out to a teenage/early-twenties listenership attuned to – if not always fully enamored of – oldies and early-'60s nostalgia), and most of what surrounded them was a good match. And there was a serious, unexpected twist in the range of the content going right into the second song on side one, the repertory making a sudden leap across five years to the end of the 1960s and the group's then all-but-forgotten late-era single "Break Away." The latter song, which probably came up too early on the album to generate its maximum impact, did fit with the rest of what's here and helped direct a few otherwise unsuspecting low-level fans toward the group's then-overlooked late-'60s psychedelic-era output. On the minus side, however, the overall sound was rather indifferent on the original double-LP edition, which contained only 23 songs.