Rush is an excellent dark blues score written by Eric Clapton (with help on the three songs) and performed by an augmented version of his band. This soundtrack album produced one big hit for Clapton with "Tears in Heaven," but it's a wonderfully intense piece of work all the way through, with some terrific guitar work from Clapton himself. Buddy Guy turns up to add lead vocals and guitar on the 11-minute version of Willie Dixon's "Don't Know Which Way to Go," and that's more than all right too. There's a very good chance that the dark intensity of this music was as much informed by the tragedies in Clapton's life ("Tears in Heaven" is about his son) as the film itself.
Rush is an excellent dark blues score written by Eric Clapton (with help on the three songs) and performed by an augmented version of his band. This soundtrack album produced one big hit for Clapton with "Tears in Heaven," but it's a wonderfully intense piece of work all the way through, with some terrific guitar work from Clapton himself. Buddy Guy turns up to add lead vocals and guitar on the 11-minute version of Willie Dixon's "Don't Know Which Way to Go," and that's more than all right too. There's a very good chance that the dark intensity of this music was as much informed by the tragedies in Clapton's life ("Tears in Heaven" is about his son) as the film itself.
Back to the Future: Music from the Motion Picture Soundtrack is the soundtrack album to the film of the same name. It was released on July 8, 1985 by MCA Records. The album included two tracks culled from Alan Silvestri's compositions for the film, two tracks from Huey Lewis and the News, two songs played by the fictional band Marvin Berry and The Starlighters, one played by Marty McFly and The Starlighters, and two pop songs that are only very briefly heard in the background of the film…
Baz Luhrmann's garish, flamboyant adaptation of Romeo + Juliet was hyper-kinetic and colorful, boasting a heavy inspiration from the visual style of MTV, so it's only appropriate that the soundtrack was tailored for the alternative nation that MTV fostered. Combining modern rock acts like Garbage, Radiohead, the Cardigans, and the Butthole Surfers with contemporary soul like Des'ree and adult alternative like Gavin Friday, the album is slick, polished, catchy – and surprisingly strong. Though the soul and pop is good, the alternative rock acts on the soundtrack fare the best, with Garbage and Radiohead both contributing excellent B-sides ("Number One Crush" and "Talk Show Host," respectively), with the Cardigans' sleek, sexy lounge-disco number "Lovefool" stealing the show.