Mother Gong's first album Mother was released in 1978 and the band found Gilli Smyth collaborating with many musicians including Harry Williamson and various friends and family including on this album Owl In The Tree from 1990, former partner Daevid Allen. The album is split into two halves and both Allen and Smyth work well within the limitations set out by vinyl bearing in mind that the days of vinyl made for a more convenient division, which is defined, by the individual styles of both Allen and Smyth. The album is a mix of both styles including Allen's blissed out space rocker style and Smyth's more laid back fairy tale recitations and a smattering of typically Gong like instrumental work.
Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
Paul Oakenfold has always been a DJ who has refused to give himself exclusively to one genre. Throughout his career his sets have always been musically varied but consistently melodic and energetic…
The second box in as many years of a truckload of obscure British psychedelia. Here are ten more CDs' worth of serious rarities by some bands that barely scratched the surface of the British freakbeat scene during rock's golden era, and a few who went on to other things. In all, there are 128 cuts here, all compiled and annotated by Phil Smee – of Perfumed Garden fame (also issued by Past And Present). While some of these acts, such as the Poets, the Human Instinct, Outer Limits, and Denny Laine left marks on the scene, as did mod bands such as les Fleur De Lys and the Buzz; many others came from the swamp and returned with only these few minutes of glory for all of their efforts.
Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.