How poor the piano literature for four hands would be without Schubert! This musical form is indebted to him for its most significant enrichment — ranging from the popular marches to works of virtually symphonic size. The roots of the genre sprang from different soils. Schubert's musical invention was so prolific that often the two hands of a pianist proved to be insufficient, and thus the performance of complicated counterpoint, the countless subsidiary themes and delicate harmonic details demanded two pianists and four hands, resembling the four parts of a string quartet.
Almost any recording of a Mozart symphony by Austrian conductor Karl Bohm (1894-1981) is a sure thing: excellent sound, and sensible, solid, non-sentimental interpretation.
The films in this DVD were made in the 1970s: both picture and sound are excellent. Bohm is an easy conductor to watch, and his conducting style does not distract or call attention to him over the musicians or the music. Indeed, Bohm SERVES Mozart, and watching him conduct the great Vienna Philharmonic is a joy from beginning to end.
The release of any recording by the pianist Piotr Anderszewski constitutes something of a special occasion. As the Scottish newspaper The Herald wrote: “In music as in life, Anderszewski is a man who takes his decision-making seriously. His recitals are intense and wonderful: he is a profound communicator, a meticulous craftsman, a deeply original interpreter. He infuses every gesture with tremendous care; no phrase is thrown away, no nuance without meaning. The process of putting together such acutely considered performances is painstaking and lengthy … which goes some way to explaining why his repertoire includes just a handful of core composers.”
The release of any recording by the pianist Piotr Anderszewski constitutes something of a special occasion. As the Scottish newspaper The Herald wrote: “In music as in life, Anderszewski is a man who takes his decision-making seriously. His recitals are intense and wonderful: he is a profound communicator, a meticulous craftsman, a deeply original interpreter. He infuses every gesture with tremendous care; no phrase is thrown away, no nuance without meaning. The process of putting together such acutely considered performances is painstaking and lengthy … which goes some way to explaining why his repertoire includes just a handful of core composers.”
Aimi Kobayashi, who rose to prominence as a prizewinner at the 2021 International Chopin Piano Competition, has been praised by Gramophone as a pianist who can “rivet the attention through fine-drawn line and hushed dynamics as much as through vivid gesture and brute force”.
Aimi Kobayashi, who rose to prominence as a prizewinner at the 2021 International Chopin Piano Competition, has been praised by Gramophone as a pianist who can “rivet the attention through fine-drawn line and hushed dynamics as much as through vivid gesture and brute force”.
Aimi Kobayashi, who rose to prominence as a prizewinner at the 2021 International Chopin Piano Competition, has been praised by Gramophone as a pianist who can “rivet the attention through fine-drawn line and hushed dynamics as much as through vivid gesture and brute force”.
Composer: Hector Berlioz
Performer: Tabea Zimmermann
Conductor: Christoph Eschenbach
Orchestra/Ensemble: Orchestre de Paris