Music in The Galant Style

Both C.P.E. Bach and Franz Benda were composers who enjoyed the favour of the court of Frederick the Great and who developed a highly individual and lasting style of music in the monarch's service. Though ‘Old Fritz’ demanded works in the pleasing galant style for his almost daily music sessions from his court musicians, Franz Benda succeeded in humouring the king without stooping to compromise quality. His three concertos for flute seem to have been tailor-made for Frederick II; in the galant style, yet full of sensitivity and profound emotion.

The history of music-making in Rome tends to focus on Renaissance polyphony, with an occasional nod to the Baroque thereafter. But thanks to composers like Giovanni Battista Casali (1715–92), choral music continued to flourish in Roman churches and other religious establishments in the eighteenth century, too, until Napoleon’s occupation broke many of its traditions. Casali’s music, though, is as good as unknown, and this pioneering recording reveals a composer at home in the galant style – with a surprising fondness for the occasional dissonance.

In the early 1950s Dietrich Fischer-Dieskau began what would become a long and distinguished career as one of his generation’s foremost Bach interpreters. By 1981, when he and his wife Julia Varady made this recording for Philips, his declining vocal abilities apparently didn’t prevent him from continuing to deliver the kind of infectious, exuberant performances that established that reputation and endeared him to so many listeners.