My Bass And Other Animals

This band's debut may well have been one of the most amazing and radical records to be released during the punk era (or any era for that matter), recorded under the most extreme conditions in the years before punk rock was a reality (1973-1974). Prague's Plastic People of the Universe, and the band they later became, Pulnoc, remain one of rock & roll's great stories of triumph and how great music can be produced and survive even in the most hostile of environments…

Jethro Tull - 17 Chrysalis Album Collection (1968-87) [19CD+DVD] {2001-2005 Japan Mini LP Remaster} [combined repost]
EAC rip (secure mode) | FLAC(tracks)+CUE+LOG -> 6.36 Gb | MP3 @320 -> 2.39 Gb
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© 2001-2005 Toshiba-EMI / Chrysalis | TOCP-65879~67682
Rock / Prog Rock / Art Rock

Jethro Tull's first album, THIS WAS, recorded and released in 1968, shows a band that is a far cry from their better-known incarnation as a prog rock outfit in the late 1970s. Instead, Tull come across here as a solid and talented blues band with elements of jazz, folk, and psychedelia thrown in. The band's sound was heavily influenced by guitarist, singer, and songwriter Mick Abrahams, whose bluesy singing and leads distinguish this disc in Tull's discography. Frontman Ian Anderson also shines with tunes like "Some Day the Sun Won't Shine for You" and the excellent cover of Rashaan Roland Kirk's "Serenade to a Cuckoo."

As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era…

The Complete Wooly Bully Years 1963-1968 includes six albums on three CDs plus bonus recordings, including non-LP singles. The quintessential Tex-Mex band of the 1960s, Sam The Sham And The Pharaohs hailed from Dallas, Texas where Domingo "Sam" Samudio was born in 1937 and raised. After chart success eluded them after recording Haunted House for the Dingo label in 1965 they landed a contract with MGM Records, home of such rock 'n' roll artists as Roy Orbison, The Animals, and Herman's Hermits.

Cold Chisel opened the '80s with their most widely accepted and artfully constructed album, East. Following it up was a tall order for the Aussie quintet, but they did the trick admirably with Circus Animals. (A live album, Swingshift, was released in the period between the two studio discs.) A ten-song stew of the band's signature guitar-and-piano-driven ballads and rockers, it further confirmed Chisel's depth and breadth as a creative unit. From the outset of Circus Animals, the boys come crashing in through the window like a bunch of rowdies with hell-raising on their minds, cranking out the guitar rock rottweiler "You Got Nothing I Want." Singer Jimmy Barnes' wrote the song about the frustration of a recently completed U.S. tour that had imploded ingloriously. As he belts out the number, Barnes' voice sounds like a buzz saw blade that's flown loose and ripped through a bunch of parked cars.

Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…

On Deadly Ground suffers without the orchestral firepower customary to Basil Poledouris' most memorable action scores, but its quirks – most notably the addition of Inuit throat singers Qaunaq Mikkigak and Timangiak Petaulassie – rescue the music from complete forgettability. Because Poledouris' action efforts operate in such bold, grandiose strokes, their impact is dulled in the hands of the smaller-sized orchestra employed here (presumably to compensate for the additional costs of star/director Steven Seagal's hair plugs). Still, the composer excels at evoking the narrative's emphasis on Alaskan ecological hazards and native mysticism, installing vocals and celestial electronics to capture the otherness of life in the Last Frontier.