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The Tudor Brandons: Mary And Charles - Henry VIII's Nearest & Dearest  eBooks & eLearning

Posted by tarantoga at April 29, 2021
The Tudor Brandons: Mary And Charles - Henry VIII's Nearest & Dearest

Sarah-Beth Watkins, "The Tudor Brandons: Mary And Charles - Henry VIII's Nearest & Dearest"
English | ISBN: 1785353322 | 2016 | EPUB | 208 pages | 3 MB
The Mozartists & Ian Page - Arne: Artaxerxes (2021) [Official Digital Download 24/192]

The Mozartists & Ian Page - Arne: Artaxerxes (2021)
FLAC (tracks) 24-bit/192 kHz | Front Cover | Time - 137:45 minutes | 4,64 GB
Classical, Opera | Label: Signum Classics, Official Digital Download

A composer inextricably linked with London’s Covent Garden, Thomas Arne’s greatest opera, Artaxerxes, was premièred at the Theatre Royal, the predecessor of the Royal Opera House, on 2 February 1762 and remained in the Covent Garden repertory until the late 1830s, where it received a documented 111 performances before 1790. The young Mozart almost certainly attended a performance when he came to London in the mid1760s and Haydn was also acquainted with the work, enthusiastically exclaiming that he “had no idea we had such an opera in the English language.”

Tony Trischka - Shall We Hope (2021) [Official Digital Download 24/96]  Vinyl & HR

Posted by El Misha at Jan. 31, 2021
Tony Trischka - Shall We Hope (2021) [Official Digital Download 24/96]

Tony Trischka - Shall We Hope (2021)
FLAC (tracks) 24-bit/96 kHz | Time - 54:16 | 1.08 GB
Studio Master, Official Digital Download | Artwork: Front cover

Shall We Hope is a dramatized listening experience from one of the most influential banjo players in the roots music world. Tony Trischka has achieved legendary status in his 50+ years as a consummate artist. . It invites its audience into the lives of characters from America's past as they grapple with the hard realities of war and death, and the meaning of freedom. Over twelve years in the making, this work of historical fiction tells tales of love, loss, and hope, drawn from our nation's fraught history. The narrative is told through brilliant songwriting and stellar musicianship, with a gathering of artists that includes Michael Daves, Guy Davis, Phoebe Hunt, John Lithgow, Maura O'Connell, and Catherine Russell. Best experienced when heard in its entirety, this unique project showcases Tony's ever-evolving musical vision. Shall We Hope portrays powerful moments in time that still reverberate today.
Aaron Sheehan, Stephen Stubbs & Pacific MusicWorks Orchestra - Total Eclipse: Music for Handel's Tenor (2019)

Aaron Sheehan, Stephen Stubbs & Pacific MusicWorks Orchestra - Total Eclipse: Music for Handel's Tenor (2019)
WEB FLAC (tracks) - 382 Mb | MP3 CBR 320 kbps - 161 Mb | Digital booklet | 01:07:57
Classical, Vocal | Label: Naxos Records

John Beard was a young tenor who came to George Frideric Handel’s attention when still a teenager. He inspired the great composer to give new focus to the tenor voice within his English oratorios. Beard was Handel’s ideal in his demands for ‘articulate utterance of the words and a just expression of the melody’- a collaboration that climaxed in Handel’s creation of the first truly great tenor part as the hero in Samson. Grammy Award-winning tenor Aaron Sheehan steps into John Beard’s shoes equipped with a voice of ‘shining quality and deep sensitivity’ (The New York Times).
VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)

VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.5 GB | MP3 CBR 320 kbps - 737 MB
3:57:57 | Rock, Pop Rock, Prog Rock | Label: Grapefruit

Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop.
1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.
VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)

VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.5 GB | MP3 CBR 320 kbps - 737 MB
3:57:57 | Rock, Pop Rock, Prog Rock | Label: Grapefruit

Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop.
1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.
VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)

VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020) (Complete)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.5 GB | MP3 CBR 320 kbps - 737 MB
3:57:57 | Rock, Pop Rock, Prog Rock | Label: Grapefruit

Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop.
1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.
VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)

VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.5 GB | MP3 CBR 320 kbps - 737 MB
3:57:57 | Rock, Pop Rock, Prog Rock | Label: Grapefruit

Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop.
1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.

Etta James - At Last! (1960) [1999, Remastered with Bonus Tracks]  Music

Posted by BlondStyle at July 22, 2021
Etta James - At Last! (1960) [1999, Remastered with Bonus Tracks]

Etta James - At Last! (1960) [1999, Remastered with Bonus Tracks]
R&B, Soul, Blues | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 40:28 | 227,16 Mb
Label: Chess/MCA Records (USA) | Cat.# CHD-12017 | Released: 1999-07-27 (1960-11-15)

"At Last!" is the debut studio album by American blues and soul artist Etta James, which includes the title song "At Last". The album was released on Argo Records in November of 1960 and was produced by Phil and Leonard Chess. The original release contained four of James' hits on the Rhythm and Blues Records Chart between 1960 and 1961. It was her first of five studio albums James would release on the Argo label. "At Last!" was ranked at #119 on Rolling Stone's 500 Greatest Albums of All Time. It was ranked as the 62nd best album of the 1960s by Pitchfork Magazine.
VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020) (Complete)

VA - Peephole In My Brain: The British Progressive Pop Sound Of 1971 (2020) (Complete)
FLAC (tracks, scans) - 1.3 GB | MP3 CBR 320 kbps - 560 MB
3:57:57 | Rock, Pop Rock, Prog Rock | Label: Grapefruit

Featuring a 40-page booklet crammed with rare illustrations and the stories behind the songs, Peephole In My Brain is an essential addition to Grapefruit’s acclaimed year-by-year series of late Sixties/early Seventies British rock and pop.
1971 stands as an odd, rather surreal year in British pop history: while American soft-rockers and singer-songwriters were dominating the album charts, the year in which the country ch-ch-changed over to decimal currency saw the homegrown pop/rock scene becoming increasingly eccentric.