My First English Adventure 1 Songs CD

Use of Disney stories and characters capture the pupils' interest and attention motivating them to learn English

The Cuban symphonic prog rock band Anima Mundi came to life in the spring of 1996 due to the union of five friends who studied together to major as teachers of music…

A collection of 20 CD, which includes all the studio albums by English rock band Blur at the moment, also 2 compilations, 1 live and 8 singles.

Ulrich Tukur – Mezzanotte
EAC+LOG+CUE | FLAC: 330 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 477 8796 | Country/Year: Germany 2010
Genre: Pop, Jazz | Style: Chanson

“I just went scrounging”, mumbles Tukur nonchalantly, as though he hadn’t amassed a 78 rpm collection of this music numbering some 2000 records and hadn’t acquired a vast knowledge of the material. “The main thing was finding songs whose melodies I liked and which had to do with night in some poetic and beautiful way. And, naturally, I had to be able to sing them. After all, I don’t have a big, trained voice. It isn’t particularly well suited to big band numbers, alas, but it is quite a good fit for the chansons and cabaret pieces from the first half of the last century.”

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. "Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead. It feels like classic Bowie, yet recalls no specific era of his career. For the first time, Bowie has absorbed all the disparate strands of his music, from Hunky Dory through Earthling. That doesn't mean Hours is on par with his earlier masterworks; it never attempts to be that bold.

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. "Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead. It feels like classic Bowie, yet recalls no specific era of his career. For the first time, Bowie has absorbed all the disparate strands of his music, from Hunky Dory through Earthling. That doesn't mean Hours is on par with his earlier masterworks; it never attempts to be that bold.

West German rock band Grobschnitt will see a very limited 17CD super deluxe box set of all 14 of their albums released later this month that comes with almost seven hours of bonus material. The box set is titled 79:10 and covers the entire output of the band from 1972 to 1989. Everything has been newly remastered and in total there is over 22 hours of material for fans to enjoy. The reason for ’79:10′ is that each of the 17 CDs has 79 minutes and 10 secs of audio, so they are packed with content!…