One of the greatest rock bands of all time, The Who defined modern music for the past four decades. Now after years of anticipation, some of their most unforgettable moments can finally be experienced with THE WHO: AT KILBURN: 1977. Newly mastered in high-definition with state-of-the-art sound for a spectacular home theater experience, the December 15, 1977 Kilburn show at the Gaumont State Theater in North London…
Following in the footsteps not only of Universal's many Ultimate Collection, but also the Beatles 1 – a groundbreaking collection in the sense that it proved that a collection that contains all the hits will actually sell on CD (thereby proving the cynical ploy of leaving hits off a compilation in order to sell catalog is flawed) – the Who's 2002 compilation The Ultimate Collection attempts to collect all their hits, all their anthems in one place…
Heavily bootlegged, the tapes featured on Universal's 2018 release Live at the Fillmore East 1968 were originally recorded by the Who's manager Kit Lambert with the intention of releasing a live album between The Who Sell Out and Tommy. Both nights of the band's tour-closing stint at the Fillmore on April 5 and 6, 1968 were recorded but the equipment malfunctioned on the first night, so Lambert abandoned the plan, leaving the tapes to bootleggers to mine over the years.
This is a UK four CD repackaging of this excellent box set. Over a single weekend in June 1967, Monterey entered history as the very first rock festival. The paucity of official releases over the intervening years led to Monterey–like the Rolling Stones' Rock & Roll Circus–becoming as much a figment of rock & roll myth as hard fact. Finally though, in 1994, the British company Castle Communications put together this beautifully assembled 4 CD box set. Unfortunately, some acts (Simon & Garfunkel, Grateful Dead)–perhaps feeling their performances were below-par–refused to license their material. But with over four hours of music, this set still presents a vivid snapshot of the event. For once, the packaging is as important as the music: a booklet is bound in, complete with memorabilia, previously unpublished photos, and first-hand reminiscences from performers like David Crosby, Dennis Hopper, Steve Miller, Eric Burdon and John Phillips.
This is a UK four CD repackaging of this excellent box set. Over a single weekend in June 1967, Monterey entered history as the very first rock festival. The paucity of official releases over the intervening years led to Monterey–like the Rolling Stones' Rock & Roll Circus–becoming as much a figment of rock & roll myth as hard fact. Finally though, in 1994, the British company Castle Communications put together this beautifully assembled 4 CD box set. Unfortunately, some acts (Simon & Garfunkel, Grateful Dead)–perhaps feeling their performances were below-par–refused to license their material. But with over four hours of music, this set still presents a vivid snapshot of the event. For once, the packaging is as important as the music: a booklet is bound in, complete with memorabilia, previously unpublished photos, and first-hand reminiscences from performers like David Crosby, Dennis Hopper, Steve Miller, Eric Burdon and John Phillips.
Following in the footsteps not only of Universal's many Ultimate Collection, but also the Beatles 1 - a groundbreaking collection in the sense that it proved that a collection that contains all the hits will actually sell on CD (thereby proving the cynical ploy of leaving hits off a compilation in order to sell catalog is flawed) - the Who's 2002 compilation The Ultimate Collection attempts to collect all their hits, all their anthems in one place. It fits that bill very well, providing all the big items from "I Can't Explain" to "Emenince Front" as it spans two discs and 35 tracks. Sure, fans will find personal favorites missing, whether it's "A Quick One While He's Away" or "Athena," while collectors will note that it contains everything from the previous attempt at an exhaustive CD compilation, 1996's My Generation: The Very Best of the Who, but it doesn't matter, because this is the best summation of their career for a general audience yet assembled. It functions as both an introduction and as the one Who album listeners who just want the hits will need.