Even though Tales From the Lush Attic was IQ's first LP, the band had self-released a cassette in October 1982 entitled Seven Stories Into Eight. Recorded on a domestic four-track machine, this collection of songs shows the band in its formative months, as members were trying to agree on the musical direction they wanted to follow. The cassette was sold at shows and via mail order until 1984, when it was deleted. Each copy was packaged with handmade artwork by singer Peter Nicholls. The album opens with "Capital Letters (In Surgical Spirit Land)," an atypical high-octane fusion number à la Brand X or National Health.
French based multi-instrumentalist and composer Tom Penaguin presents his spectacular self-titled debut album. The album showcases some of the most impressive Canterbury Scene progressive rock sounds since the genre’s inception in the 1970s. Tom (guitarist of Djiin and former keyboardist of Orgöne), began playing guitar at the age of 6 and later learnt how to play drums, piano and organ to a professional standard by the age of 15. Influenced by the likes of Frank Zappa and the Canterbury Scene, Tom set out to build an analog music studio in his house in 2020, where he recorded the entire album using a plethora of vintage studio hardware and equipment. The result is a masterful ode to bands like Egg and National Health. The songs are complex in structure, with Stravinsky-inspired patterns, glorious melodies, whilst allowing room for lengthy improvisations akin to the fusion scene of the early 70s.
Almost stereotypically overreaching early-'70s progressive rock; quasi-operatic vocals, spinning guitar solos, lengthy suite-like tracks on the order of "Stargazers" and "Hollow Stone (incl. Escape of the Space Pilots)." The highlight is Stewart's effervescent organ work during the gentle and meditative passages. An obscure footnote of early-'70s British art rock, Khan featured guitarist Steve Hillage, keyboardist Dave Stewart, and ex-Crazy World of Arthur Brown bassist Nick Greenwood. Their sole album from 1972 was dominated by Hillage's lengthy, ambitious compositions and Stewart's organ, which owed much to the Canterbury Scene of British prog rock. The group didn't offer much to distinguish themselves from the many other British outfits exploring similar territory, and disbanded after one LP. Hillage went on to join Kevin Ayers and Gong before establishing a solo career; Stewart played with Hatfield & the North and National Health.
With a strong Canterbury influence implanted into their sound, Egg's first album has the band looking to establish their niche as a progressive group, with Dave Stewart's sharp, effective keyboard work outlining much of the album's overall feel. Mixing jazz and progressive rock drifts, the tracks on Egg contain rhythms and meters that are never at a standstill, with ongoing instrumental action encompassing nearly every track…
A year and 5 albums after he has brought the Manna/Mirage project to a close, ex-Muffins musician / composer Dave Newhouse has produced a new album under the moniker of 'Dave Newhouse', this one titled “Natura Morta”, Latin for Still Life. Many of the same musical suspects (guest musicians) from around the world are involved, this one is a bit longer than the aforementioned Manna/Mirage albums clocking in at around 43 minutes. It still has that signature AmeriCanterbury / Muffins compositional ethic as well as fast and furious examples of fusion / jazz rock, RIO, World Music, Americana, and alt-jazz. Even John Greaves (Henry Cow / Kew Rhône / National Health) makes a lovely appearance here. as does Guy Segers (Univers Zero / Eclectic Maybe Band).
Area's uncompromising blend of jazz-rock, ethnic folk, experimentation, and political philosophies made them a unique presence in Italy during the 1970s…
Empire is the creation of Rolf Munkes, one of the most talented German metal guitarists. Although he isn't much of a brainstorming judging by the band name, he is one hell of a string bender and song writer which he once again proves with the third Empire album. "The Raven Ride" is however lifted to an even higher level by the voice of Tony Martin (ex-Black Sabbath) whose experience comes in more than handy. As usual Munkes has scored an all-star line-up and Neil Murray provides his finger skills once again while André Hilgers (Axxis, Silent Force, Razorback) makes his debut behind the drums.
Here’s something in 2024 worth celebrating without reservation or caveat or vague dread that it might go away: a new album from Inner Ear Brigade. It’s been a long time since Dromology, but Perkunas is proof that the band not only still exists, but still has all of the qualities that made that album so great. The band’s mainstays are Bill Wolter (guitar, keyboards) and Ivor Holloway (saxophone, EWI), who have been part of the project since the first album in 2011, and Chris Lauf (drums, percussion), who was with them on Dromology. Many other musicians also take part, some of whom have appeared on previous recordings, though not on every track. Stylistically, IEB is in a class of their own, with complex compositions reminiscent of other avant progressive bands like Thinking Plague, Cheer-Accident, and MoeTar, but also a tinge of jazz in the same way that Canterbury bands like National Health and Hatfield and the North did it…