Neil Young After The Gold Rush

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic.

By 1976 Neil Young had already created a body of work that most songwriters would cut off both arms and legs to have composed. But Young had merely completed another phase of his career and was ready to start the next. This film tells the story and reviews the music of Neil from the release of his stunning Zuma album at the end of 1975 up to the release of the well received Prairie Wind in 2005 - a 30 year period during which this maverick musician covered just about every style in existence.

Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…

In late 1970, Neil Young was coming down from a bustling stretch of touring with the immensely popular Crosby, Stills, Nash & Young and had just released his third solo album, After the Goldrush. That album, lodged between the jammy country rock of 1969's Crazy Horse-aided Everybody Knows This Is Nowhere and the hushed, hermetic folk of 1972's Harvest, found an ethereal and otherworldly middle ground for Young's rapidly developing songwriting voice. Live at the Cellar Door finds a solo Young just a few months after the release of After the Goldrush, playing a six-show stint at the tiny Washington D.C. club, running through a set heavy on the relatively new material from Gold Rush, but also getting into songs that wouldn't see album release for a few more records yet…