Nova Roberto

The Bossa Nova Exciting Jazz Samba Rhythms Vol.1 contains the definitive Artists & Bossa Nova, Jazz, Latin. The Best hits from Roberto Menescal, Odell Brown & The Organizers, Os Cincos Pados and many more.

"O Som Brasileiro De Sarah Vaughan" (1978) is a fascinating album by the legendary American jazz vocalist Sarah Vaughan, which showcases her exploration of Brazilian music. The album was recorded during a time when Brazilian music, especially bossa nova and samba, was gaining international popularity, and Vaughan's take on this genre brought a fresh perspective to her already expansive vocal range.

Roberto Alagna offers the album of a “re-birth”. It is born from his happiness to become a father for the second time and from the deepest feelings that his little Malèna’s coming into the world revived in him. The album is the fruit of what she inspired to him: a strong desire to give as one gives life, to pass on and share.

Quando surgiu, há pouco mais de duas décadas, o Bossacucanova causou furor e interesse ao apresentar uma criativa e original mistura de elementos da música eletrônica e da bossa nova. Desde então, o trio formado por Alex Moreira, Marcio Menescal e o DJ Marcelinho da Lua lançou seis álbuns e atraiu a atenção do público e dos críticos. O sétimo registro, “Bossa Got The Blues”, chega às lojas e aos aplicativos de música pela gravadora Deck e conta com participação de Roberto Menescal, que participou de todo o processo criativo.

“Ahead of the rest of Latin America, Brazil posited itself as another country in the Americas with a strong enough history and cultural development to become a cultural peer of the United States,” writes Ed Morales in The Latin Beat .

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle,

Bossa Nova for a Summer Day contains the definitive Artists & Jazz, Latin, Lounge, Chillout. The Best hits from Papik, Francesca Gramegna, Hammond Express, Nu Braz, Jair Oliveira and many more.

Carlos Eduardo Lyra Barbosa (born May 11, 1939 in Botafogo, Rio de Janeiro) is a Brazilian musician (singer, guitarist and composer) who has written numerous classical pieces of the Bossa Nova and Música Popular Brasileira.

Roberto Menescal was one of the leading figures in the invention of bossa nova.

Katie Derham travels to Rio de Janeiro (where her father was born) to explore the story behind Brazil's most famous and enduring song. Written in 1962 by Antonio Carlos Jobim with lyrics by Vinicius de Moraes, with a later English translation by Norman Gimbel, The Girl from Ipanema defines the moment Brazil charmed the world stage with a laidback song about a haunting woman.