Napier, Nancy J

The flashy, kaleidoscopic Magnificat remains one of Bach's most popular works, and this is one of its best recordings. John Eliot Gardiner directs a performance full of energy: his crackerjack choir and orchestra sail through the trickiest passages at high speed without sounding at all rushed or uncomfortable. The soloists are fine, with especially lovely singing from Nancy Argenta, Patrizia Kwella, and Charles Brett in the trio "Suscepit Israel." Also on this disc is the finest available version of the Jauchzet Gott in allen Landen Cantata. Emma Kirkby sings with all the purity of one of Bach's boys and all the assurance of an expert adult. She and trumpeter Crispian Steele-Perkins hurtle fearlessly through this famously difficult piece, high notes and long, fast runs holding no terrors for them.

–Matthew Westphal

This performance can be labeled Portuguese only loosely, since many of the pieces are sung in Spanish, or taken from Spanish manuscripts, or more properly Galician than Lusitanian. But hey! Who cares? Really artful recordings of any Iberian music of the 'Golden Age' are not sprouting from the cork trees even today. Male alto Gerard Lesne has seldom recorded pre-Baroque chansons, and it's a thrill to hear what he can do with them. Track 9, for instance, the Latin cantiga "Clamabat autem mulier" by Mudarra, takes Lesne from his usual alto register down seamlessly into his tenor chest voice. Wow! Not every counter-tenor can do that and still sound musical!

Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.

On Nancy Wilson's previous album, 2004's R.S.V.P., the legendary vocalist teamed up with a given instrumentalist on each track. She must have liked the formula, because she's done it again on Turned to Blue. Here the oft-honored jazz singer leaves room in each number - save for the title track, a Maya Angelou poem set to music and arranged by Jay Ashby - for a different soloist, bringing in such heavyweights as Hubert Laws on flute, saxists Jimmy Heath, Andy Snitzer, Bob Mintzer (who appears to be summoning Stan Getz on the opening number, Gordon Jenkins' "This Is All I Ask"), James Moody and Tom Scott, pianist Dr. Billy Taylor, and steel pans player Andy Narrell, among others…

US label Light In The Attic Records has announced a year-long Nancy Sinatra reissue campaign, starting with a new compilation album, Nancy Sinatra: Start Walkin’ 1965-1976, which will be released next month.