National Theatre

The Devil's Wall (Czech: Čertova stěna) is a comic-romantic opera in three acts, with music by Bedřich Smetana and libretto by Eliška Krásnohorská, in their third operatic collaboration. The subtext of the plot is a Czech legend of a sheer rockface that overlooks the Vltava river, near the old monastery of Vyšši Brod, where the Devil was said to have halted the building of the monastery by damming the Vltava, which then rose and flooded the site.

The Devil's Wall (Czech: Čertova stěna) is a comic-romantic opera in three acts, with music by Bedřich Smetana and libretto by Eliška Krásnohorská, in their third operatic collaboration. The subtext of the plot is a Czech legend of a sheer rockface that overlooks the Vltava river, near the old monastery of Vyšši Brod, where the Devil was said to have halted the building of the monastery by damming the Vltava, which then rose and flooded the site.

In April 1920, following 12 years of intricate work, Leoš Janáček’s The Excursions of Mr. Brouček premiered at the National Theatre in Prague, the one and only work of his to do so. A century later, the self-same theatre’s soloists, chorus and orchestra returned to the “Broučekiad” at the Rudolfinum in Prague. The present studio recording, after Neumann’s and Jílek’s only the third in the Supraphon catalogue, was thus in part made owing to the closure of theatres and concert halls during the recent Covid pandemic.

The Brandenburgers in Bohemia (Czech: Braniboři v Čechách) is a three-act opera, the first by Bedřich Smetana. The Czech libretto was written by Karel Sabina, and is based on events from Czech history. The work was composed in the years 1862–1863. Smetana and Sabina wrote the opera at a time of great Czech patriotism, with the pending opening of a new theatre for production of Czech operas in Prague. The opera received its first performance at the Provisional Theatre (or the "Interim Theatre"), Prague, on 5 January 1866, and the first performance was a success. The first UK performances were in April 1978 by Hammersmith Municipal Opera. The first professional production in the UK, conducted by Vilém Tauský, was not until 1994.

In May 1876, even before the premiere of The Kiss, eliška Krásnohorská offered Smetana a subject that combined a story set in a folk environment with elements of fairy tale, magic, and superstition. The action was very complicated, and the material was not used, but certain motifs from it found their way into the libretto for their next opera together, The Secret. Like in The Bartered Bride, the story features two peasants with differing personalities. Atmosphere is provided by the mysterious surroundings of the ruins of old Bezděz Castle, and the plot’s various snares and pitfalls combine a realistic story with a tall tale. Old love amounts to a powerful motif. Somewhere below Bezděz Castle live two widowers, Kalina and Malina, who bear a mutual grudge for reasons lying in the distant past, when the poor man Kalina asked for the hand of Róza, the rich peasant Malina’s sister, but he was rejected by her family. He then married a poor girl, and because he was industrious and, above all, defiant, he managed to build a house, which is just about to be finished.

In April 1920, following 12 years of intricate work, Leoš Janáček’s The Excursions of Mr. Brouček premiered at the National Theatre in Prague, the one and only work of his to do so. A century later, the self-same theatre’s soloists, chorus and orchestra returned to the “Broučekiad” at the Rudolfinum in Prague. The present studio recording, after Neumann’s and Jílek’s only the third in the Supraphon catalogue, was thus in part made owing to the closure of theatres and concert halls during the recent Covid pandemic.

The opera Libuše occupies a unique position in Czech national culture. Smetana composed it as a festive opera to be performed on occasions celebrating the Czech nation. The first such was theopening of the National Theatre in Prague in 1881, when the work was premiered. Supraphon's catalogue already contains CDs of Smetana's Libuše in two live complete recordings documenting the interpretational mastery of the artists associated with the National Theatre: the legendary recording of the performance in 1983 marking the reopening of the theatre after its reconstruction andfeaturing Gabriela Beňačková in the lead role, and the 1995 recording of the new production of Libuše at the National, when the lead role was undertaken by Eva Urbanová.

The Brandenburgers in Bohemia (Czech: Braniboři v Čechách) is a three-act opera, the first by Bedřich Smetana. The Czech libretto was written by Karel Sabina, and is based on events from Czech history. The work was composed in the years 1862–1863. Smetana and Sabina wrote the opera at a time of great Czech patriotism, with the pending opening of a new theatre for production of Czech operas in Prague. The opera received its first performance at the Provisional Theatre (or the "Interim Theatre"), Prague, on 5 January 1866, and the first performance was a success. The first UK performances were in April 1978 by Hammersmith Municipal Opera. The first professional production in the UK, conducted by Vilém Tauský, was not until 1994.

Věra Soukupová, Karel Průša, Václav Zítek (vocalist), Bohuslav Maršík, Eva Hlobilová, Jaroslav Horáček, Oldřich Spisar (vocalist), Daniela Šounová-Brouková, Leo Marian Vodička, Alfréd Hampel, Pavel Horáček, Drahomíra Drobková, Dalibor Jedlička, Marie Veselá, Karel Hanuš, Miroslav Švejda Prague National Theatre Orchestra, Prague National Theatre Chorus, Zdenek Kosler, Milan Malý

The Two Widows (Czech: Dvĕ vdovy) is a two-act Czech opera by Bedřich Smetana based on the libretto of Emanuel Züngel. The libretto is based on Jean Pierre Felicien Mallefille's one-act play Les deux veuves. The opera was composed between June 1873 and January 1874, and its premiere took place on 27 March 1874 at the Prague Czech Theatre under the direction of Smetana. However, this premiere was not successful and the opera was rewritten in 1874. The spoken dialogue was replaced by through-composed recitatives and some of the music and characters were reworked. The second premiere on 20 October 1874 was very successful. A further revised version was premiered on 17 March 1878, under Adolf Čech. For a later performance in Hamburg in 1882 "Smetena reluctan[t]ly added a trio in act 1 and an alternative ending to Agnes' aria in act 2, and consented to a redivision of the opera into three acts".