Native Instruments Kontakt 6 V6.2.2 Update

Native Instruments Kontakt 6 v6.2.2 Update MacOSX  Software

Posted by orientazure at Feb. 19, 2020
Native Instruments Kontakt 6 v6.2.2 Update MacOSX

Native Instruments Kontakt 6 v6.2.2 Update MacOSX | 565 Mb

With KONTAKT 6, you can sound like a snare drum, a symphony orchestra, or anything in between, from a universe of sampled instruments. It’s a simple sampler when you want it to be, and a deep sonic scripting laboratory when you need something more.

Native Instruments Kontakt 6 v6.1.0 MacOSX  Software

Posted by orientazure at May 12, 2019
Native Instruments Kontakt 6 v6.1.0 MacOSX

Native Instruments Kontakt 6 v6.1.0 MacOSX
Full: 1 Gb | Update only: 513 Mb

With KONTAKT 6, you can sound like a snare drum, a symphony orchestra, or anything in between, from a universe of sampled instruments. It’s a simple sampler when you want it to be, and a deep sonic scripting laboratory when you need something more.

Native Instruments Kontakt 6 v6.1.0 Portable WiN  Software

Posted by orientazure at May 12, 2019
Native Instruments Kontakt 6 v6.1.0 Portable WiN

Native Instruments Kontakt 6 v6.1.0 Portable WiN | 404 Mb

With KONTAKT 6, you can sound like a snare drum, a symphony orchestra, or anything in between, from a universe of sampled instruments. It’s a simple sampler when you want it to be, and a deep sonic scripting laboratory when you need something more.

Sonicsmiths Piano In Blue KONTAKT  Software

Posted by melt_ at May 1, 2024
Sonicsmiths Piano In Blue KONTAKT

Sonicsmiths Piano In Blue KONTAKT | 11 GB

Piano In Blue captures the historic sound of the Steinway D concert grand piano used at Columbia Records for Miles Davis' "Kind Of Blue" and Glenn Gould's "Goldberg Variations." Experience a beautifully playable grand piano, encoded for the free Native Instruments Kontakt Player 6.6.1 and Komplete Kontrol. The opportunity to preserve this iconic combination of this piano in this space has been worthwhile, and now we are able to make it available to music creators worldwide.

Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT  Software

Posted by Magictor at July 21, 2024
Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT

Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT | 2.3 GB

Solo jazz trumpet for expressive melodies or blistering solos in any style with extreme realism - includes all mutes, vibrato control and multiple mic positions.

Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT  Software

Posted by Magictor at July 21, 2024
Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT

Straight Ahead Samples Birth of the Trumpet v1.2 KONTAKT | 2.3 GB

Solo jazz trumpet for expressive melodies or blistering solos in any style with extreme realism - includes all mutes, vibrato control and multiple mic positions.
Impact Soundworks Tokyo Scoring Strings v1.0.10 KONTAKT Update Only

Impact Soundworks Tokyo Scoring Strings v1.0.10 KONTAKT Update Only | 126.8 Mb

The sound of Japanese strings is both captivating and highly unique. What makes it so distinctive? Smaller ensembles recorded in focused studio spaces lend themselves to more agile playing, and a focus on perfection leads to incredible accuracy. These strengths make Japanese ensembles equally capable of delicate nuance and sweeping emotional performances that move listeners to tears. For many of us who have admired Japanese soundtracks for years, this sound has long been a source of inspiration, but it’s been out of reach for most composers outside of Japan — until now.
Impact Soundworks Tokyo Scoring Strings v1.0.10 KONTAKT Update Only

Impact Soundworks Tokyo Scoring Strings v1.0.10 KONTAKT Update Only | 126.8 Mb

The sound of Japanese strings is both captivating and highly unique. What makes it so distinctive? Smaller ensembles recorded in focused studio spaces lend themselves to more agile playing, and a focus on perfection leads to incredible accuracy. These strengths make Japanese ensembles equally capable of delicate nuance and sweeping emotional performances that move listeners to tears. For many of us who have admired Japanese soundtracks for years, this sound has long been a source of inspiration, but it’s been out of reach for most composers outside of Japan — until now.