Nature 28 May 2020

"Thulêan Mysteries was made passively, in the sense that I never intended to make a new album; I just made music every now and then and at one point realized that I actually had enough to release it all on an album. When asked to do so I figured: why not? It was a good idea. The music is a little bit of this and a little bit of that, transcending any genre, and perhaps belonging to many different genres. The intention with it was always to create a certain atmosphere, often related to an idea or a situation. Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game). Hopefully you will get a sense of Thulê when you listen to this, like always with Burzum, ideally when on your own. I hope you will enjoy this soundtrack to Thulê, to Mother Nature and life itself" ~ Varg Vikernes

Second album from Rustin Man aka Paul Webb from Talk Talk. Having waited 17 years for Drift Code, some may be surprised at Clockdust’s swift arrival, but the album’s roots can be found in the same extended sessions. “Early on I realised I had two albums worth of material,” Webb explains. “The first tunes I wrote were electric guitar based, with long arrangements that built up in layers to something sonically quite dense. These became the bulk of Drift Code. As a reaction, I wrote a batch of songs that were tighter in their structure but had more feeling of space. These make up the bulk of Clockdust.”

René Thomas (1927-1975) was considered the best European jazz guitarist of his generation by fellow musicians and critics, but his career was marred by the pervasive skepticism of jazz fans. Despite trying hard to carve his own space, he never obtained the recognition he deserved for his immense talent, perhaps because of his introverted character and prolonged withdrawals from the scene.

The record Pato (Dam) depicts the power of singing together: the happiness of belonging and being united, the comfort of liberation from difficult feelings, the delight of sharing joy, and empowerment even amid difficult challenges. Singing together makes you stop in the very moment to experience beauty. The songs on the record flow through moments of refuge, otherness and loneliness into being united with oneself, the other and nature. The process of making this record also underlines the power of singing: a major part of the practice work took place in the times of isolation on spring 2020, due to restrictions on singing together caused by the pandemic.

Although Peter Banks sadly died in 2013, this new studio album features some of his work which has never been released until now. On 10th August 2010 he and David Cross got together for an afternoon of improvisation and all guitar and violin parts are from that time. Banks had expressed his desire for this music to one day be made available, so over the last few years Cross asked some friends to become involved and help in making this album a reality…

Devon based Cosmic troubadours Magic Bus mark their 10th anniversary with their fourth album The Earth Years, their first visit to our planet since 2017’s Phillip The Egg…

The Plague saw Demon moving away from the Devilish themes of their previous two LPs into more socially and politically contentious areas. The introduction of keyboards resulted in a sophisticated and polished sound, and the band's finest songwriting to date. A glorious concept album of intelligent and highly innovative rock music.

After what can only be described as a smashing debut with the hit-filled MCA Nashville album Home State, Jordan Davis returns with this six song, self-titled EP. Considered a more personal look into Davis’s life as a new husband, the songs that make up the EP definitely seem to confirm that thought. While they are personal to Jordan Davis’ own life, what makes the songs even better is that they’re relatable to everyone else and like a good song will do, they allow the listener to find themselves within the lyrics.

The Plague saw Demon moving away from the Devilish themes of their previous two LPs into more socially and politically contentious areas. The introduction of keyboards resulted in a sophisticated and polished sound, and the band's finest songwriting to date. A glorious concept album of intelligent and highly innovative rock music.