This is one of Franco's strangest films (which is saying A LOT) in that he seems to be combining various genres, each of which he had previously only dabbled in. Most obviously this is a take off of the popular German "Schulmadchen Report" films. Franco uses at least two of the same nubile actresses from the series and the same "man (and woman) on the street"-style interview filler. The interviews are even more obviously fake and (intentionally?) comical than usual–the interviewer goes around asking young women if they are virgins, for instance..
This is one of Franco's strangest films (which is saying A LOT) in that he seems to be combining various genres, each of which he had previously only dabbled in. Most obviously this is a take off of the popular German "Schulmadchen Report" films. Franco uses at least two of the same nubile actresses from the series and the same "man (and woman) on the street"-style interview filler. The interviews are even more obviously fake and (intentionally?) comical than usual–the interviewer goes around asking young women if they are virgins, for instance..
The Roland Kovac New Set released several instrumental LPs on the Selected Sound label from Hamburg, the second and third of which, "The master said" (1971) and "Love that" (1972), are good progressive rock with a clear emphasis on jazz. The line-up on "The master said" consisted of top musicians: Master Roland Kovac himself had obtained his doctorate in music as early as 1952 and written numerous classical works and soundtracks. Guitarist Siegfried Schwab had just become famous at that time by working with Et Cetera and other groups and shows his brilliance on this LP with his fuzz guitar. Drummer Charly Antolini ("Knock out") had already been in business for many years and is still first choice on the jazz scene today. The fourth member was Franz Löffler on bass, who had already released several guitar LPs in the 1960s.