In 2017, Naxos Records celebrates its 30th anniversary. Founded in 1987 by Klaus Heymann, the label now boasts a catalogue of over 9,000 albums spanning every genre of classical music. This limited edition anniversary boxed set comprises thirty CDs spanning the wide range of the label's repertoire. Featuring releases from 1987 to 2016 and a host of stellar artists, every one of these discs has received critical acclaim and has contributed towards the huge success of Naxos: the world's largest independent classical record label. Naxos was launched in 1987 as a budget classical CD label, offering CDs at teh price of an LP when CDs cost about three times more than LPs.
In 2017, Naxos Records celebrates its 30th anniversary. Founded in 1987 by Klaus Heymann, the label now boasts a catalogue of over 9,000 albums spanning every genre of classical music. This limited edition anniversary boxed set comprises thirty CDs spanning the wide range of the label's repertoire. Featuring releases from 1987 to 2016 and a host of stellar artists, every one of these discs has received critical acclaim and has contributed towards the huge success of Naxos: the world's largest independent classical record label. Naxos was launched in 1987 as a budget classical CD label, offering CDs at teh price of an LP when CDs cost about three times more than LPs.
Naxos’ first-rate edition of Poulenc’s complete chamber music continues with this very fine collection of shorter pieces and song cycles for voice and small ensemble. Baritone Franck Leguérinel turns in a smashing performance of Le Bal masqué from its manic opening Air de bravoure to the hysterical falsetto antics in the closing Caprice. He’s equally fine in Le Bestiaire, but the cruel vocal line and harmonic acerbities of the Max Jacob songs prove less congenial, though he’s no less stylistically assured.
Naxos' triumphant march through Poulenc's complete chamber music continues with this latest release containing, among a host of smaller items, a smashing performance of the magnificent Sonata for Two Pianos, one of the composer's greatest large works in any medium. Alexandre Tharaud and Francis Chaplin play beautifully…hypnotically seductive in the slow introduction and third movement, while the faster music has the right rhythmic skittishness and crisp articulation. The other outstanding performance here is the Sonata for horn, trumpet, and trombone. This awkward but charming piece has seldom sounded better balanced and more natural (not to mention in tune), and it's very well recorded in a warm acoustic. The other pieces are trifles, but no less enjoyable for that. Another winner.
Francis Poulenc reportedly felt uncomfortable writing for piano and strings and had harsh things to say about both the violin and cello sonatas, remarks duly parroted by critics and biographers ever since. And yet the fact remains that they are his most ambitious, lengthiest, and emotionally complex chamber works. As so often happens in these circumstances, it’s much easier to regurgitate received opinion than it is to actually listen to the music and take it on its own terms.
This excellent first volume in what promises to be a two-disc collection of Poulenc's complete chamber music offers performances that compare favorably with the best available. All of the musicians are superb, but several deserve special mention. Alexandre Tharaud plays Poulenc's piano parts with great flair, wit, and a true feeling for the music's manic shifts from raucous high spirits to nostalgia and melancholy. Since all of these works feature the piano, the importance of his contribution can't be overestimated.