Nearly Tricky

Back to Mine is a series of mix albums, usually (though not always) mixed by renowned DJs or composers of electronic music. The compilations usually feature artists other than the artist compiling the album, and are based on what the artist would play at home after a night out, rather than as part of a nightclub session. This compilation includes The Cure, Buzzcocks, Kate Bush, Eric B. & Rakim and others.

Mastered from the Original Master Tapes and Limited to 2,000 Numbered Copies: Hybrid SACD Dramatically Heightens Rick Rubin's Pioneering Production.

On the first full album in seven years from the softly psychedelic British band, they’ve left something behind in the quest to recapture the essence of the Clientele.

It is easy to understand why Chausson’s Concert is not as regular a feature of concert programmes as, say, Franck’s Violin Sonata. After all, a work for piano, violin and string quartet must surely have an instrumental imbalance. How can Chausson occupy all three violin parts for nearly forty minutes? In short, he does not. Nor does he try. Much of the Concert is essentially a sonata for violin and piano with an accompanying, though essential, string quartet. Chausson’s refusal to involve the quartet at every juncture merely to justify the players’ fees results in a signally well-balanced late Romantic work. When the quartet does feature on an equal footing, the effect is all the more telling. The fingerprints of Franck can be detected readily throughout the Concert, but in this and the Piano Quartet, Chausson’s individuality overcomes his teacher’s influence. Indeed, there are premonitions of Debussy, Ravel and even Shostakovich. Tangibly the product of live performances, these accounts traverse the gamut of emotions, bristling with energy, lyricism and conviction, and ensuring that this disc will never gather much dust.