Never Let Me Go (audio Cassette)

The 5.6.7.8's - Original CD Collection (1986-2016)
EAC | FLAC+CUE+LOG or MP3 CBR 320 | Complete Scanwork | 1,75 GB or 687 MB

The 5.6.7.8's are an all-female Japanese garage rock trio, whose music is reminiscent of American surf music, rockabilly and garage rock. While their biggest international exposure was a cameo in the Tarantino flick Kill Bill, 5.6.7.8's are much more than one-hit wonders, bearing the proud distinction of being the prime and longest-enduring Japanese garage rock girl band. Featuring a revolving cast of musicians (only one of them ever being a boy) and possessing small but loyal fanbases in countries from China to the United States. The group have so named themselves because they play music reminiscent of 1950s, '60s, '70s, and '80s rock. Currently this CD Collection includes 9 CDs.

Wilco - Alpha Mike Foxtrot: Rare Tracks 1994-2014 (2014) {4CD Box Set, Nonesuch 7559-79543-9} (Complete Digibook Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.77 Gb | MP3 @320 -> 673 Mb
Full Artwork @ 600 dpi (jpg) -> 690 Mb | 5% repair rar
© 1994-2014 Nonesuch Records | 7559-79543-9
Rock / Adult Alternative / Indie Rock / Alternative Country Rock / Experimental Rock

Alpha Mike Foxtrot, is a 4-CD box-set of rare studio and live recordings collected from Wilco's extensive archives spanning the acclaimed Chicago band's 20-year career. Rolling Stone calls Alpha Mike Foxtrot "a comprehensive document of a great band with endless secrets to reveal" and the Austin Chronicle dubs it "a rousing release for fans." Produced by Grammy-nominated producer Cheryl Pawelski, co-founder of Omnivore Recordings, whose credits include Big Star's Keep an Eye on the Sky, The Band's A Musical History and Townes Van Zandt's Sunshine Boy: The Unheard Studio Sessions and Demos 1971 1972, Alpha Mike Foxtrot features 64 pages of liner notes that include track-by-track recollections from Wilco founder Jeff Tweedy, notes by band members Nels Cline and John Stirratt, and reflections from members of Wilco's extended professional family. The booklet also showcases dozens of archival and never-before-seen photos from a wide array of photographers chronicling all phases of the band's career.

Frank Zappa & The Mothers Of Invention - Beat The Boots, Vol I (1991) {Rhino R2 70537~44 rec 1967-1982}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.54 Gb | MP3 @320 -> 1.03 Gb
Full Artwork @ 300 dpi (jpg) -> 186 Mb | 5% repair rar
© 1967-82, 1991 Rhino / FOO-EEE | R2 70537~44
Rock / Experimental Rock / Art Rock

Beat the Boots is a collection of bootleg recordings by Frank Zappa which were originally distributed illegally but were released officially by Rhino Entertainment in 1991. The recordings were available as individual CDs and as an LP or cassette box set. The eight discs span a fifteen-year period from September 30, 1967 ('Tis the Season to Be Jelly) to May 21, 1982 (two tracks on As an Am).

As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.

“This album has everything. Which is why it’s not for everyone.” The statement belongs to Øyvind Skarbø; bandleader, drummer and composer. His ensemble Skarbø Skulekorps released their highly praised debut album on Hubro in 2019, universally hailed for being both catchy and unpredictable at the same time. Dugnad does the same thing, but amplified to the extreme. It marks a deeper and even more radical exploration completely outside normal paths of genre and expectation.

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.