New Classic Interiors

Rosanne Cash left Nashville in the early 90's. The first album she recorded in New York with John Leventhal, The Wheel, celebrates 30 years with an exclusive 30th Anniversary Deluxe Edition that features a 2023 Remastered version of the original album and an additional 11 tracks from the 1993 Live from Austin City Limits and Live from The Columbia House Records Radio Hour sessions, making their digital debut. Rosanne says of the album, "It’s satisfying and sweet to re-introduce The Wheel in this thirtieth anniversary year. I can’t look back at that time and separate the music from Love. What was true then has become more true and more alive every day since. We listen to this record now, and wish we had mixed the vocal a little louder on this track, or had a different guitar sound on that track, but honestly, it’s perfect for its time and place. I have a friend who doesn’t believe that artists evolve, but that there are only different stages and expressions. I’m not sure about that, but in either case, I’m so grateful for The Wheel. It turns out I can’t orchestrate the movement of the stars. They do that all on their own."

Rosanne Cash left Nashville in the early 90's. The first album she recorded in New York with John Leventhal, The Wheel, celebrates 30 years with an exclusive 30th Anniversary Deluxe Edition that features a 2023 Remastered version of the original album and an additional 11 tracks from the 1993 Live from Austin City Limits and Live from The Columbia House Records Radio Hour sessions, making their digital debut. Rosanne says of the album, "It’s satisfying and sweet to re-introduce The Wheel in this thirtieth anniversary year. I can’t look back at that time and separate the music from Love. What was true then has become more true and more alive every day since. We listen to this record now, and wish we had mixed the vocal a little louder on this track, or had a different guitar sound on that track, but honestly, it’s perfect for its time and place. I have a friend who doesn’t believe that artists evolve, but that there are only different stages and expressions. I’m not sure about that, but in either case, I’m so grateful for The Wheel. It turns out I can’t orchestrate the movement of the stars. They do that all on their own."