New Evanescence

Prog metal supergroup O.S.I. return with their second album, which finds the duo of singer and keyboardist Kevin Moore and guitarist Jim Matheos moving away from the fairly standard-issue epic metal of 2003's Office of Strategic Influence into something that sounds more like Evanescence's gothy metal-pop crossed with late-era Radiohead's fondness for electronic interference. Moore, formerly of Dream Theater (his ex-bandmate Mike Portnoy plays the album's few non-electronic drums), and Fates Warning leader Matheos are venturing into relatively new territory here: Free is downright commercial in a way that none of the duo's previous projects have been. Moore sings with a new, less aggressive voice and Matheos' guitar is downplayed in favor of keyboards and sequencers…

Metal For The Masses has a collection of modern metal masterpieces. It's a great mix of Swedish/European bands as well as many great American bands. This album is definitely a must for metal newbies. It gives you a great selection of the various bands going on. Arch Enemy, Lacuna Coil, Strapping Young Lad, Soilwork, Shadows Fall… and many others. If you like metal, this is an excellent choice to add to your collection. Two disc set includes 20 tracks on disc 1 and 160 mp3 tracks on disc 2.

Frontiers Music Srl is pleased to announce the signing of an incredible new trio, Heroes And Monsters. Formed by three rock n' roll lifers and friends, bassist/vocalist Todd Kerns, guitarist Stef Burns, and drummer Will Hunt, the band's self-titled debut album will be released on January 20, 2023. The players' resumes speak for themselves, but rest assured, if you are looking for hard hitting, hooky, in-your-face rock-n-roll, then Heroes And Monsters will be good for what ails you. The band approaches their style with their influences in tow, but also with an understanding and appreciation of the current rock scene. A best of both worlds scenario, if you will.

If American Josh Groban can make a killing singing Italian opera so convincingly, why not this operatically trained French singer – who has actually been a huge success in Europe while steadily building a name for herself stateside. While Groban is pop-minded, however, Emma Shapplin – like newcomer Laura Turner – seems content to emote powerfully over beds of nature-enhanced ambience and soulful grooves, finding a classical crossover niche with new age crossover potential. With the help of producer Graeme Revell (a noted film scorer and orchestrator for Evanescence), who provides these soaring textures with the London Symphony Orchestra, she blends dramatic solo arias – all original compositions – with passages where she interacts with the Symphony's great choir.