New Idea August 31, 2020

The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll – including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.

This session, recorded by GHB on April 6, 1990, was the final recording session of the great New Orleans bass player Chester Zardis. He was one of the most important bass players and rhythm men in the entire history of New Orleans jazz.
The Sammy Rimington Band performed at the New Orleans Jazz & Heritage Festival at the Fair Grounds in April, 1990. Sammy of course, Fredrik John (trombone), Jon Marks (piano) and Sven Stahlberg (drums). As Karl Kronqvist, the regular bass player of the band could not make this trip, we were very proud and happy to have the veteran bassist Chester Zardis in his place…

New Seasons is a project undertaken by oboist Albrecht Mayer to create "new" concertos for oboe, based primarily on the operas and oratorios of George Frideric Handel. He and arranger Andreas N. Tarkmann used arias, sometimes including bits of recitative, and gave the vocal lines to the oboe, flute, and bassoon without changing too much of the accompanimental parts to create a cycle of four concertos. Compared to Handel's original instrumental music, these are naturally more lyrical and sometimes more declamatory, but it is surprising how often the music is very dance-like. Lively, moving rhythms are not what is normally expected in vocal music, but it makes the arias used here very natural sounding as concerto movements.

WOODSTOCK – BACK TO THE GARDEN – 50th ANNIVERSARY COLLECTION features 42 tracks across 3 CDs and is the first Woodstock collection to feature some of the live recordings of various performers at the festival. Newly remastered audio. Includes 24-page booklet with photos & memorabilia, plus essay & producer's introduction. Quad-gatefold digipak.

Serving to embrace the floral heavens of British pop, this ceremonious edition combines the first ten prized volumes of the acclaimed Piccadilly Sunshine series. Celebrating the obscured artefacts of illustrious noise that emerged from the Great British psychedelic era and beyond, it is the essential guide to the quintessential sound of candy-coloured pop from a bygone age Pop is NOT a dirty word!

To say that Aretha Franklin was one of the greatest American artists of all time is an understatement. Her multi-octave voice moved millions around the world during an unrivaled career that spanned six decades and garnered the singer-songwriter every achievement and honor imaginable. Her reign as the Queen of Soul will play out across four discs on a new boxed set from Rhino that is the first to span her entire career, including songs from every label she recorded with.

Ad Lib (2001). This record will be warmly welcomed by bossa nova fans, being the record that Sergio Mendes always threatened to make, but never quite managed. Imagine an album that manages to sustain the flavor and airs of Mendes' famous "Mais Que Nada" and you're getting the idea. Beyond mere pastiche however, this is dynamic music played by dedicated musicians with real flair. Surprisingly jazzy in parts, this is music that sneaks up on you, gentle but never fey. Fans of light Latin groove shouldn't be without it…

SLOWLY: Song for Keith Jarrett was recorded at the end of 2020, a watershed year for pianist Noah Haidu. As critical accolades streamed in for his innovative multi-media release DOCTONE, Haidu was on the verge of realizing another ambitious project: recording a trio album with one of the greatest bass and drum combinations in jazz: Billy Hart and Buster Williams, whose own remarkable collaboration began half a century ago. The project will be released via Sunnyside Records on May 7, 2021, one day before Jarrett’s 75th birthday.

Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.