Famous among Progressive rock fans worldwide for being probably the classiest (and most complete) publication in this style, the Finnish magazine Colossus had the great idea to ask thirty bands of the whole world to illustrate the national Finnish epic: "Kalevala". It is made of old ballads and traditional songs, but is also part of a huge group of legends, which has inspired both J.R.R. Tolkien for his mythic "Lord Of The Rings" and composer Sibelius, among others. The idea that contributed to the creation of "Kalevala - A Finnish Progressive Rock Epic" was to use exclusively instruments of the Seventies, in order to obtain the "Aging" that the story needed. The result is absolutely stunning: three albums included in a box-set designed as beautifully as the famous Colossus covers. As for the music, the listener won't be disappointed! He'll be delighted to hear about four hours of sumptuous and rich (Vocal or instrumental) Progressive rock…
The Spaghetti Epic: Six Modern Рrog Bands For Six '70 Рrog Suites (2004). Musea and Finnish magazine Colossus have come up trumps with their 'Six Modern Prog Bands For Six '70 Prog Suites' idea. Two and quarter hours of quality music and a booklet that has to be seen to be believed (including a documented story of the film, illustrated story boards and various photographs). The sheer audacity of such a concept has to be applauded and encouraged, particularly as the results are so good!
Take a classic film of the genre, in this case Once Upon A Time In The West, and invite six modern prog bands to write a piece of music based on a character from the film…
This is a united & mighty pair of brand new studio albums from drummer-bandleader Whit Dickey which were created together with two distinct yet interrelated Quartets. The two works represent the Yin and the Yang respectively, the inseparable and complementary opposites, following an ancient and enduring understanding of the world. Dickey chose Tao Quartets as the name for these groups / this specific work as the Tao wholly incorporates an understanding of this eternal dynamic, and it is here to be heard.
After seven years at the top of the British charts, even Status Quo fans were beginning to wonder whether the band wasn't simply rewriting the same riff over and over again, then putting it out with a new catch phrase for a title. From "Down Down" to "Rocking All Over the World," Status Quo had enacted some of the most excitingly primal rock behemoths of the decade. But they'd also composed some of the most enduring clichés as well. However, nothing - repeat nothing - could have prepared the world for Whatever You Want, a record which, almost three decades later, still sounds like the most ruthless piss-take you've ever heard. And, of course, it became one of their biggest hits ever. Mercifully, the remainder of the album titled by this unfortunate monstrosity shows that there was more than one idea rattling around the band's heads at this point: "Living on an Island," with its acoustic wash and mournful melody…
John Moreland doesn’t have the answers, and he’s not sure anyone does. But he’s still curious, basking in the comfort of a question, and along the way, those of us listening feel moved to ask our own. “I don’t ever want to sound like I have answers, because I don’t,” he says. “These songs are all questions. Everything I write is just trying to figure stuff out.”