In the wake of Madonna's success, many dance-pop divas filled the charts, but out of them all, Paula Abdul was the only one who sustained a career. The former L.A. Lakers cheerleader and choreographer scored her first hit in 1989, when "Straight Up" shot to Billboard's number one spot, becoming the first of four U.S. chart-toppers from her 1988 debut, Forever Your Girl; the others were "Forever Your Girl," "Cold Hearted," and "Opposites Attract," each earning a gold certification from the RIAA. This success laid the groundwork for her second act as a judge on American Idol, the televised singing competition that began in 2002 and kept Abdul in the spotlight throughout the decade.
George Benson's facile post-Wes Montgomery single-line and chord-accented style was well received in his salad days of the mid- to late '60s. Primarily self-taught and ear-trained, he made great strides in a five-year period around his native Pittsburgh, working with organist Jack McDuff on the East Coast chitlin circuit. As the soul-jazz and boogaloo movement was establishing itself, Benson was right in the pocket, as these seminal mid-'60s sessions perfectly illustrate. In tandem with saxophonist Red Holloway, the two Prestige label LPs New Boss Guitar and Hot Barbeque were initially reissued in 1977 on a vinyl two-fer, and now on this single CD. The first two tracks, "Shadow Dancers" and "The Sweet Alice Blues," sans McDuff though toeing the groove line, are the most original and modern numbers…
Actually a pretty solid commercial dance cd from 1994. Euro-reggae/new jack swing/ballady stuff on CD two but overall a great selection of music, a weak four star! Great stuff.
"One Heartbeat" is a million-selling 1987 album by R&B singer/songwriter Smokey Robinson. It hit number one on the Billboard R&B albums chart. The album contains the Billboard top 10 singles "Just to See Her" (which won Robinson a Grammy Award in the category of Best Male R&B Vocal performance) and "One Heartbeat". "What's Too Much" was released as the album's third and final single. This album was certified Gold by the RIAA. and eventually sold 900,000 copies in the United States.
George Chisholm was one of Great Britain's finest trombonists of the 1935-1950 period. This definitive CD features him on sessions with clarinetist Danny Polo in 1938, two songs with pianist Gerry Moore's Chicago Brethren in 1937, a pair of titles with Lew Stone's Stonecrackers in 1941, and on his first three dates as a leader (from 1938 and 1944). The music falls between Dixieland and swing, with alternate takes helping to make each of the sessions quite complete.